‘Flow,’ ‘La Voix Des Sirènes’ Win Top Awards At Ottawa International Animation Festival
The Ottawa win should help reinforce the fact that ‘Flow’ is one of the best animated films of 2024 and a real Oscar contender during the upcoming awards season.
The Ottawa win should help reinforce the fact that ‘Flow’ is one of the best animated films of 2024 and a real Oscar contender during the upcoming awards season.
We’ve put together a list of nine shorts that demonstrate the breadth and diversity available at this year’s Ottawa Festival.
The company’s aim is to redefine the possibilities in AI-driven character animation with a video-3D foundation model that’s built with an understanding of physics.
A total of 124 were selected from 2,308 entries.
Their new service offering will produce content for high-budget animation projects.
The studio’s last day of operation will be July 5.
In recent years, TIFF has increasingly served as a launchpad for high-profile animated features.
The Canadian feature premieres at Annecy this week.
Canada’s equivalent to the Oscars and Emmys if they were combined, the CSAs will take place over the weekend of May 28-31 in Toronto.
Artists Animation Studio will focus on 2d Harmony and hand-drawn animation services for productions aimed at all ages.
Workers in Canada continue to gain momentum in their efforts to organize the country’s animation industry.
The Harmony and Storyboard Pro developer was purchased by New York-based investment firm Integrated Media Company earlier this year.
It’s been a whirlwind year for Quebec animator Janice Nadeau since the premiere of her animated short Harvey at Clermont-Ferrand.
Wildbrain is the third Canadian studio to unionize with IATSE, joining Titmouse’s Vancouver unit and game developer Anemone Hug Interactive.
What could you animate in one day? These students found out at this year’s 24 Hours animation contest.
EXCLUSIVE: As part of cost-cutting measures, Dreamworks Animation is shifting away from producing films fully in-house at its Glendale, California headquarters and will rely more heavily on third-party studios.
Filmmakers who have remained on Vimeo, like Ivan Li, have to deal with inconsistent content moderation policies, among other headaches.
IATSE is asking DNEG workers across the country to fill out in IATSE VFX Union Support Cards.
Cournoyer’s metamorphic black and white films can make viewers uncomfortable, taking them to places they know but rarely want to acknowledge.
Canadian titles shone at this year’s event, and for the third consecutive year a Japanese short won the grand prize.