Welcome to our new regular round-up of animated feature projects in the pipeline.
Welcome to our new series, in which industry artists and filmmakers speak about their favorite tool they used on a recent project.
These indie animated features remind us that there isn’t — or shouldn’t have to be — anything inevitable about Hollywood’s dominance at the Oscars.
A caveat: that growth has been entirely reversed by the pandemic.
The Indian-European co-production marks another strong indie acquisition by the streaming platform.
An official statement says: “Covid-19 is changing the entertainment industry … The merger is a direct and necessary response.”
Here’s a film that somehow manages to look both derivative and original at the same time.
Warnermedia is emphasizing homegrown animation content for its channels in India.
Cosmos-Maya, an animation studio based in India and Singapore, has boarded the theatrical revival of the hit 1980s series.
How three female-directed features use animation to explore complex social themes.
Woof woof! Is anyone there?
The vfx and animation company employs nearly 7,000 people worldwide.
Gitanjali Rao’s hand-painted feature is an ambitious tale of love and loss in India’s biggest metropolis.
A round-up of animated series that have been announced for development, production, or distribution.
This year marks the 20th anniversary of the Indian animation event.
How many of these Asian animated series have you seen?
Big development: India’s huge film market is opening up to non-American animated features.