A nine-part sci-fi video series illustrating a post-apocalyptic digital multiverse.
A look at how ILM and Andy Serkis’ Snoke continued to evolve during production on the latest “Star Wars” film.
The Apple iPhone X is turning out to be a much more powerful tool for animation artists than anyone could have imagined.
Steven Spielberg’s “Ready Player One” is a lot more animated than you may think.
“[It’s] misguided to even consider nominating an actor for a performance unless you’re also gonna nominate the part of the vfx team behind it and the vfx supervisor because that is a joint effort.”
Andy Serkis’ newest lie: animators aren’t part of the production process for the characters he performs.
How the “Transformers: The Last Knight” vfx crew crafted a new kind of transformation for the franchise’s fifth outing.
Just how do you give a Star Wars droid a personality?
New Zealand is poised to enter the Academy Award race this year with “25 April,” an adult-skewing animated feature about World War I.
Find out how Double Negative created a battle sequence between skeletons and invisible creatures in Tim Burton’s latest film.