Thad Komorowski has posted three examples of animation acting – one each from Disney, WB and MGM – all created without the aid of rotoscoping or performance capture. The foolishness of commentaries by critics like Mick LaSalle and James Lipton becomes only more evident when they are presented with actual examples of the animation medium’s expressive potential. LaSalle believes that the animated film has never “had the ability to show the human face. There was never any point to a close-up in an animated film — there was never really anything to see.” Really, Mr. LaSalle? I think Rod Scribner and Bob McKimson proved you wrong about sixty years ago, as evidenced in the clip from TORTOISE WINS BY A HARE. James Lipton thinks that Robert Downey rotoscoped is a better performance than anything an animator could create. Perhaps he should look at Ken Muse’s anguished animation of Tom in HEAVENLY PUSS. We haven’t even begun to examine all the stellar animation in feature films, but even in these short films, the inanity of LaSalle and Lipton’s opinions are exposed.
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