How Nuke Helped Studio Ghibli Find A New Dimension For ‘Earwig And The Witch’
The compositing tool was used in every shot in the film — the first fully cg feature from the fabled Japanese studio.
The compositing tool was used in every shot in the film — the first fully cg feature from the fabled Japanese studio.
Work smarter and faster in Maya - discover the essential toolset used by animators at feature film and AAA-game studios.
Based in L.A. and Montreal, the new studio will work on "premiere real-time 2d and 3d series and features."
Jérémie Périn's debut feature is that rare thing in animation: a sci-fi detective story.
Oasis's union was the first animation union to be accredited in Canada.
A coming-of-age story of a boy with Down Syndrome who learns to navigate the world with a loving mother, an absent father, a classroom bully, and a life-long crush."
The French animation studio behind Netflix's "City of Ghosts" walks us through their approach on this unorthodox series.
Ty has been named the division's global head of character animation, while Donato joins as vfx supervisor on a major project.
Spanish animator Mònica Eggert has achieved something rare: she's made a demo reel that's a hit with audiences. We asked her about how it came together.
Olivia, a young Black woman endowed with superpowers, leads her family to what she sees as a better life — only to realize that's not what she should be fighting for.
Ruthie Harrison and Richie Ward reflect on the opportunities MECA has given them to make art and present it to the world.
Three users of Marvelous Designer tell us how they create fantastic 3D clothes, while saving time and money.
Three animation studios tell us what it takes to create an original show in the country.
We discuss the gentleman thief's first cg outing with Tomokazu Sakamoto and Tatsuya Akagi, animation and rigging supervisor on the film.
Discover the diverse mix of Spanish animated projects showcased at this year's edition of the Latin American movie market.
"The sprawling story seems to touch on almost every aspect of human life," says Long. "I found it overwhelming and strangely addictive."
We speak to four studios about what it takes — and what it costs — to make cg visuals for theme park rides.
Matt Maloney, associate chair of Savannah College of Art and Design’s animation department, describes how the pandemic could change the industry for the better.
We speak to MDEC, the dynamic government agency fueling Malaysia's animation boom.
"I wasn’t sure what the film was about," says Clapin, "and that hardly mattered to me."