Three Of This Year’s Oscar-Qualified Directors Discuss The Enduring Appeal Of 2D Animation
Nearly half of this year's 33 Oscar-qualified animated features feature hand-drawn 2d animation, or cg meant to look hand-drawn.
Nearly half of this year's 33 Oscar-qualified animated features feature hand-drawn 2d animation, or cg meant to look hand-drawn.
Tenerife's animation and vfx industries are booming thanks to highly competitive tax incentives and an influx of talented artists.
The company's aim is to "democratize 3d animation."
Hang on to your software updates and bust out your 3d dance card; it’s time for SCAD AnimationFest 2023. The Savannah College of Art …
Hulu will debut Dan Harmon's new series 'Krapopolis,' Max is bringing back the 'Tiny Toons,' and Netflix will say goodbye to 'Disenchantment.'
According to Nagy, "beginner or a professional, anyone can enjoy using this software regardless of skill level."
Bush excelled at trying out new techniques and experimental methods of creating moving pictures.
This marks the first time that TAG has organized outside of the continental United States.
Historian Vincent Alexander has put together a collection of fire and water animation that spans more than 90 years.
Praxinos will be demoing Odyssey during Annecy’s MIFA at the Epic Games and Praxinos booths.
We break down the importance of animation to Apple's newest tech, as well as four other takeaways from this week's unveiling.
There isn’t a proven roadmap to building an animation studio in Uganda, but that isn't stopping Raymond Malinga whose studio's mantra is “the audacity to dream.”
We spoke to Hellavision organizers Peter Steineck and Michael Van Swearingen, as well as Dave Merson Hess, who programmed its most recent episode.
Pavel Sannikau is solo-animating the ever-expanding animated website which features your favorite pop culture characters living together on a space station.
You've no doubt heard of the animation programs at Calarts, but what is it like to actually attend the school. We asked some recent students about their experiences.
Nathan Smith from Studio Ghibletz explains how his team used CA5 to improve their workflow on 'Anomaly Karen.'
The new tech eliminates the need for bespoke facial motion capture technology, making it possible to accomplish with only an iPhone.
A decade after it finished its festival run, Svilen Dimitrov's 'Rew Day' has been submitted by another person onto the festival circuit.
Industry experts offer advice to filmmakers looking to go green with their stop-motion productions.
Krikey says that AI animation can be “the foundation of the next creator economy.”