.png){kind=logo}
Nasrabadi is taking on a key role at Netflix's feature animation division, which currently employs 900 people across studios in Burbank, Vancouver, and Sydney.
Director Tomás Pichardo Espaillat speaks about his bigscreen accomplishment and how he turned limitations, like a lack of animators in his country, into an opportunity to experiment creatively.
'Dandelion's Odyssey,' which premiered at Cannes Critics' Week, presents a daring fusion of time-lapse photography, robots, cg animation, and macro-photography.
USC's new animation program is a dynamic interdisciplinary initiative designed for passionate visual media artists from all disciplines.
Next week, the film will premiere in competition at the Annecy animation festival.
We take a look at ten new shorts screening at this year's Annecy Festival.
The Montreal-based animation studio, known for projects like 'The Day The Earth Blew Up: A Looney Tunes Movie' and 'The Bob's Burgers Movie,' is dipping its toes into AI-assisted production.
Company co-founder Andrew Carr speaks about Cartwheel, a new AI animation tool developed with the help of Pixar animators and backed by Jeffrey Katzenberg.
A new season premieres next month, a decade after the show wrapped up its original run.
'The Real Ghostbusters: A Visual History' will release in July from Dark Horse Comics.
The film, which debuted at Cannes and counts Natalie Portman among its producers, is shaping up as a key Oscar contender.
'Lilo & Stitch' just delivered the biggest Memorial Day launch in Hollywood history.
The 14-minute short was one of two animated films in the Directors’ Fortnight sidebar at Cannes.
De Froberville will share the title of president with Kristine Belson.
The Oscar-winning director of 'The Windshield Wiper' talks us through his stunning new short for the upcoming game 'Marathon.'
The project, based on the hit online animated series, has started production.
The 24-hour event challenges animators to create an animated piece, and also offers a livestream of professional development talks.
Artists are expected to begin moving into the new studio next month.
Money continues to flow into tech startups that have their sights set on eliminating every single last animation artist.
The company, which says its software will do for animation what “the iPhone did for photography,” also announced the hiring of two veteran Pixar animators.