‘Mouse in Transition’: When Everyone Left Disney (Chapter 7)
Don Bluth smiled at me. "I wouldn't worry about being laid off from Disney's, Steve. Nobody gets laid off around here. When somebody messes up, the studio just sends them to WED."
Don Bluth smiled at me. "I wouldn't worry about being laid off from Disney's, Steve. Nobody gets laid off around here. When somebody messes up, the studio just sends them to WED."
Before I got hired at Disney Features, I sold a few magazine articles and developed a love of writing for print, where there was nothing between writer and reader but words on a page. When I became a Disney employee, I realized I was surrounded by animation veterans with vivid memories of the rambunctious days at the old Hyperion studio, and the creative struggles that went into making "Snow White," "Pinocchio," and the other early features. Talking to older Mouse House staffers, it dawned on me they could provide great source material for articles.
Joanna Davidovich is a freelance animator based in Atlanta, Georgia. A graduate of the Savannah College of Art and Design, she has been working as an animator, designer, and storyboard artist on commercials, on-air content, and TV shows since 2005. Her animated short film "Monkey Rag", which debuts online this afternoon, has been making the festival rounds since it was completed last July.
Our post on Andy Serkis's inflammatory rhetoric about the limited role of animators on his motion capture performances generated a robust, often heated, discussion in the comments. By far, the most informative comment was provided by 3-time Oscar winner Randall William Cook, who was the animation supervisor and designer at WETA on the "Lord of the Rings" trilogy that was released between 2001 and 2003.
In his never-ending quest to be recognized as a serious thespian, character actor Andy Serkis continues to minimize the role of the animators who make his performances possible. With each interview he gives, Serkis seems to do more and more of the work, and the animators less and less. About the only thing Serkis doesn't do at this point is build his own motion capture rigs and provide his own craft services.
Marc James Roels and Emma De Swaef are an animation duo from Ghent, Belgium. Their work has gained extensive notoriety in the past few years, after their 17-minute wool-animated short "Oh Willy…" swept the festival circuit, racking up countless awards and charming the hearts of audiences across the globe.
Ralph Bakshi pulled himself away from his drawing desk in New Mexico to chat with Cartoon Brew about his legacy, his latest project "The Last Days of Coney Island," which he recently funded on Kickstarter, and what he really thinks about the computer’s role in animation these days.
The championship grinds on. After Smile’s defeat at the hands of Kong, the tables are turned and the elite players of Kaio Academy come …
Tensions run high during the high school championships, and all eyes are on the showdown between Kong and Smile. The third episode jumps abruptly from Smile's training in episode 2 right to the championships, and to a Smile who has begun to gain the confidence to show his true potential.
This week's "Steven Universe" dived into the whirlwind that is the mindset of an insecure youth, in ways that were similar to the episode “Lars and the Cool Kids.” At first, the episode didn’t really make any sort of impression on me. It took another viewing for me to grasp its depth—or at least theorize things in the whirlwind that in my own mind at 3am.
Determined to unleash Smile's potential, Coach Koizumi devises a relentless schedule of training that culminates in a death match pitting old veteran versus young hopeful. Smile's resistance finally cracks under the pressure, and he begins to get serious. Meanwhile, the appearance of a new rival - the tough-looking Ryuichi Kazama - sets the stage for a later showdown.
Helium Harvey is a curious boy exploring his backyard. After breathing in helium to change his voice, he turns into a balloon and goes on an airborne adventure around the world.
"My name is Vincent Black and I can see things other people can't."
The Los Angeles indie animation event of the season takes place tomorrow, Saturday March 8th, at The Cinefamily. Animation Breakdown Roundup! is a collection of over two dozen shorts by seasoned indie stars (Vince Collins, Emily Hubley), current filmmakers (Kirsten Lepore, Takeshi Murata, Devin Flynn, Allison Schulnik, Galen Pehrson, Amy Lockhart, Matt & Paul Layzell, Garrett Davis, Charles Huettner, Caleb Wood, Alex Schubert) and next-wavers (Peter Millard, Sean Buckelew, Quique Rivera Rivera.)
In this special Cartoon Brew series, we asked the five nominees of the 2013 Best Animated Short Academy Award to discuss the artwork of their films. Today we continue this exclusive look at the short contenders with "Room on the Broom."
In this special Cartoon Brew series, we asked the five nominees of the 2013 Best Animated Short Academy Award to discuss the artwork of their films. Today we continue this exclusive look at the short contenders with "Mr. Hublot," a Luxembourg/France co-production directed by Laurent Witz and co-directed by Alexandre Espigares.
The creators of Guru Studio's "Justin Time" talk with Cartoon Brew about the secrets of making a stylish and entertaining preschool series.
A tweet last night by Pixar director Mark Walsh announced that one of the company's earliest employees, Loren Carpenter, retired on Friday.
Chris Renaud (above, left) and Pierre Coffin are the directorial duo responsible for one of the biggest animated phenomenons of recent …
Pioneered by children, legitimized by people looking up weird stuff on YouTube, vitalized by online hoaxes, and existing entirely outside any kind of aesthetic considerations, fanime is something that could only have developed on the web.