15 Rare Color Photos Of Walt Disney And Artists You Probably Haven’t Seen Before
The Disney studio in 1956—in glorious color!
The Disney studio in 1956—in glorious color!
Annecy artistic director Marcel Jean examines the Ottawa grand prize-winning film "Inherent Obligations."
Discover the art of Alexey Kashpersky, Cartoon Brew's Artist of the Day.
A new book pulls back the curtain on the vfx industry and offers a somber, if not fascinating, read on the current state of the business.
Cartoon Brew worked with Moonbot Studios and Radio Flyer to create an exclusive 33-page e-book loaded with artwork from the new short "Taking Flight."
Fresh off "The Jungle Book," Jon Favreau has discovered a new passion: vr filmmaking.
The unique Italian digital arts conference VIEW is right around the corner. Here's what you can expect.
Chris Robinson looks at a few different ways to read the Ottawa grand prize-winning film "The Night of the Carrots."
Management news from around the industry.
An appreciation of Caroline Leaf’s powerful and significant film "Two Sisters," a momentous celebration of the work of women’s hands.
"Ghost in the Shell" maker Production I.G. travels back in time for its new feature, "Miss Hokusai."
A big hit at Cannes and Annecy, the Oscar-contending "Ma Vie de Courgette" now has an English-subbed trailer.
Yesterday was Jeffrey Katzenberg's last day as head of DreamWorks Animation. What he created will never exist again.
Illumination's "The Secret Life of Pets" also set a new all-time record this weekend.
Laika has some very different projects planned for the future.
We go behind-the-scenes to learn how Laika animated one of the biggest stop motion puppets ever constructed.
Before he became a key member of the team that made "Rugrats" and "Aaahh!!! Real Monsters," Igor Kovalyov challenged the animation world with his enigmatic short, "Hen, His Wife."
It takes a village of artists and technicians to create a sophisticated CGI character like Elliot the Dragon.
Animation historian Maureen Furniss revisits the Ottawa grand prize-winning short "The Man Who Planted Trees."
Mark Osborne talks about why he said no to directing the project at first and why working in CG can drive a director crazy.