What We’re Looking Forward To At This Year’s Ottawa International Animation Festival
OIAF is back in person this year, with a jam-packed program for attendees eager to meet face-to-face after two years apart.
OIAF is back in person this year, with a jam-packed program for attendees eager to meet face-to-face after two years apart.
In addition to new details about previously announced titles, three new Disney and Pixar features were announced.
Meanwhile, 'Minions' has topped the global box office yet again.
These nine Oscar-contending animated shorts have built momentum heading into awards season.
After Israel's government decided to support only live-action film, the country's animators banded together and pressured the bureaucrats to change their course.
'Luck' director Peggy Holmes discusses the process of creating and developing Skydance Animation's first animated feature.
MTV Entertainment Studios adds Everybody Still Hates Chris to its adult animation line up.
Cinesite is making a big bet on Quebec animation by its second Montreal studio in as many months.
Characters developed under Coker’s supervision include Frosty the Snowman, Kris Kringle, Winter Warlock, and many more.
With a $128 million launch, Minions signals the return of big box office animated features.
Cartoon Brew's Cole Delaney documents his first in-person trip to the world's biggest international animation festival.
We've picked out three... well four, of the most exciting European projects to catch our eye at this year's Annecy festival.
Lightyear was supposed to be the film that marked Pixar’s triumphant return to the bigscreen. But its weak box office tells a different story.
See how critics rate Lightyear against other features from Pixar's legendary animation franchise.
From high-concept fantasy tales to deeply personal documentary, this year's feature film pitches at Annecy's MIFA market had a bit of everything.
More than 100 digital content creators offer their picks.
We speak with some of the school's graduates to find out what they liked – and didn't like – about this iconic animation program.
Though the company remains committed to animation in a big way, numerous high-profile projects will not move forward.
The company's stock price has tumbled by over two-thirds since October's record high.
The project explores "an agile and more iterative approach to linear animated filmmaking."