Sue Nichols Maciorowski, Veteran Artist Of Modern Disney Films, Dies At 55
She worked as a visual development artist, character designer, and story artist on most of Disney's 2d features of the 1990s.
She worked as a visual development artist, character designer, and story artist on most of Disney's 2d features of the 1990s.
Animators are invited to create videos across a range of categories using Cartoon Animator 4.
During a big bike race, two leaders are not just battling for the grand prize, but also for the affection of a lady and fulfillment of their erotic fantasy.
What gives the city an edge — and what threats does it face?
Gonzalo Azpiri of Hookup Animation explains how he used the new release of Toon Boom Harmony 20 to create a mixed-media animation sequence.
Dreamworks veteran Gabriele Pennacchioli is on board as executive producer.
The feature-length memoir was the only feature in competition at Annecy this year that was directed by a woman. We spoke with director Ilze Burkovska Jacobsen.
Shu, a Toon Boom Ambassador, explains how she used Harmony 20 to create a hand-painted aesthetic.
How is the movement for racial justice shaping animation? We speak to industry figures who are pushing for change.
How do you create a world that's both cute and threatening? The show's art director Angela Sung explains.
Learn to take criticism. Don't assume you'll learn much at school. And always think of the nose…
A Chinese girl and her pet rabbit board a rocket to space in this new feature from Netflix and Pearl Studio.
An Egyptian fantasy, a transgender murder mystery, an apocalyptic coming-of-age tragicomedy, and more…
Kenji Iwaisawa made his award-winning film for one tenth of a normal anime feature's budget. He tells us how he did it.
We speak to the renowned filmmaker ahead of the Annecy premiere of his autobiographical new film "Altötting."
Ahead of its Annecy screening, director Mariusz Wilczyński tells us how he made "the first feature animated art film in the history of Polish cinema."
Toronto's Guru Studio is crewing up an additional 80 people for "Mecha Builders" — without any face-to-face contact.
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
Four aliens crash-land into suburban America. They can't agree on whether Earth is awful or awesome.
With Callipeg, artists can now leave their desks and animate wherever they want and need with professional tools, using the iPad's power to its full potential.