What Does A Feature Animation Film Editor Do? Pixar Editor Kevin Nolting Explains His Role On ‘Soul’
The editor is one of the most important – and least understood – roles in modern feature animation filmmaking.
How-To
How To Turn A Parasol Into A Beautiful Tribute To Animation History
French artist Marie Paccou has added a new invention to the long history of animation production: the umbrellotrope.
DIY: Jeff Scher Shares A Step-By-Step Guide To Making A Homemade Pegbar
Make this essential tool for hand-drawn animation using just a few basic supplies.
How Nathan Love Created The Animation For Katy Perry’s ‘Smile’ Video In Six Weeks (Interview)
“In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions,” says Nathan Love’s Joe Burrascano.
This Animator Has Figured Out Six Simple Tips For Staying Productive
Take breaks. Record yourself working. Make your deadlines public. And turn off the internet!
Procreate As A Storyboarding App? A Dreamworks Artist Explains How To Use It And Why It Works So Well
Colin Jack tells us why he started using the app — and why he published a tutorial to help others do the same.
How To Pitch Virtually During A Pandemic: Creators And Producers Share Tips
The teams behind three projects pitched at Annecy’s MIFA market tell us what was gained — and lost — in the shift to virtual pitching.
Secrets Of A Creative Marriage: 10 Animation And Filmmaking Tips From Disney Directors Ron Clements And John Musker
Learn to take criticism. Don’t assume you’ll learn much at school. And always think of the nose…
The Dos And Don’ts Of Storyboarding: 10 Tips From Cartoon Network Artists
What does it take to make it as a storyboard artist? The people behind “Summer Camp Island,” “Apple & Onion,” and “The Amazing World of Gumball” give advice.
The Surprisingly Intimate Production Process Of A ‘Beetle Bailey’ Comic Strip
A new documentary reveals how the 70-year-old comic strip is produced.
How To Create A ‘Scooby-Doo’ Haunted House: Step-By-Step With ‘Scoob!’ Production Designer Michael Kurinsky
Some tips to get started: push color, disregard how light really behaves, and don’t let the background upstage the characters.
How To Make A Short Film Using Quill: An Animator’s Guide To The VR Software
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
CASE STUDY: How ‘My Magic Pet Morphle’ Became One Of Youtube’s Biggest Kids’ Shows
Arthur van Merwijk started making “Morphle” by himself. Now, it’s a global entertainment brand with millions of Youtube subscribers and billions of views.
Oscar-Winning Producer Nicolas Schmerkin Explains How To Build Relationships With Directors
Get drunk with your director, treat them like a spouse, and be ready to annoy them. This worked for Nicolas Schmerkin, at least.
How They Did It: Telling Five Women’s Stories In Five Different Styles In Camila Kater’s ‘Flesh’
Camila Kater explains how she combined five different mediums in her debut film — and why she compares women to meat.
A Storyboard Artist On ‘Infinity Train’ Explains His Job In A Comic
Sam Spina’s comic reveals the joys, anxieties, and endless procrastination that his career involves. Read it here.
Making ‘Toy Story 4’: How Pixar Created New Characters For The Franchise
The artists behind the Oscar frontrunner have described their creative process in a range of interviews. We’ve compiled their most insightful comments.
How They Did It: ‘Missing Link’ Production Designer Nelson Lowry On The Complexities Of Hybrid Production
Nelson Lowry explains how he harnessed the studio’s unique capabilities for its latest feature.
‘Infinity Train’ Creator Owen Dennis Designed A Handy Flowchart To Show How A TV Cartoon Is Produced
Ever wondered about all the steps involved in producing a 2d animated tv series?
How They Did It: Jérémy Clapin Explains The Unconventional Production Process Of ‘I Lost My Body’
Director Jérémy Clapin walks us through the making of his new feature “I Lost My Body.”
