How FuzzyPixel Harnessed Cloud Tools To Create Its Short Film
FuzzyPixel producer Jen Dahlman explains how the cloud can help streamline animation production.
FuzzyPixel producer Jen Dahlman explains how the cloud can help streamline animation production.
Director Greg Franklin tells us how the project started, what was tricky about animating Notaro’s jokes, and why he went experimental on a segment about Eddie Van Halen.
In a wide-ranging interview, the director drills into the narrative and design choices behind his Pixar feature.
In his long career, Duga storyboarded on "Frosty the Snowman," designed Twinkie the Kid, co-founded and ran the studio Polestar, and taught for decades at the School of Visual Arts.
Reviews of three disparate films that played in competition at this year's Annecy festival.
Jérémie Périn's debut feature is that rare thing in animation: a sci-fi detective story.
We watched all the feature pitches at Annecy's MIFA market. Here are the three we liked best.
Enrico Casarosa’s radiant first feature is an ode to the kind of bond that only young boys can form.
The film will world premiere at Annecy next week.
Cartoon Brew's associate editor Alex Dudok de Wit spent a very long time thinking about a very sad film. Here are some of his conclusions.
Joanna Quinn's new film "Affairs of the Art" took years to make, but that was a reward in itself: "It was like an extended college, and I felt I was learning new things about animation, drawing, and direction all the time."
The developers behind the new tool explain why they created it, how it is used, and what lies ahead for real-time 2d animation.
Olivares, who also served as character designer on Sony's new film, tells us how it came together visually.
Leib created animation for The New York Times and films including "American Splendor" and "American Ultra."
Pixar veteran Oh has scored an Oscar nomination for his self-produced experimental short. He tells us how the project came about.
The filmmaker and "Over the Garden Wall" art director reflects on his unusual career path.
This is one of a growing number of indie games that reject naturalism in favor of a boldly stylized 2d look.
The director recalls how a passion project turned into an Oscar winner.
The feature, which will be rooted in lore and mythology from del Carmen's native Philippines, is part of an exclusive overall deal the veteran story artist has signed with Netflix.
"It was Otsuka-san who taught me the fun of working," Hayao Miyazaki once wrote.