CBTV Student Fest: ‘Dateless’ by Remus Buznea and Kyriaki Kyriakou
A series of romantically unfortunate twentysomethings are interviewed, describing in vivid detail their expectations as they search for the ideal partner.
A series of romantically unfortunate twentysomethings are interviewed, describing in vivid detail their expectations as they search for the ideal partner.
A grumpy hedgehog trying to confess his love.Will he be able to overcome his insecurities?
Join Mr. Piggy on an adventure through time and space. Please wear 25-D glasses.
Marilyn maketh, Marilyn taketh awayth. Marilyn is trying really hard to create something good. For once, her expectation and reality are going to align. It will be epic. It will be tear-jerkingly profound. It will be perfect. Nothing can go wrong.
In his four features and one TV series, the late anime director Satoshi Kon developed a unique style of cutting and editing, says Tony Zhou in a new video essay.
Yesterday, we celebrated the momentous decision to replace the practical effect-dinosaurs in "Jurassic Park" with CGI animation. Today, we look at the other side of the issue: the effect that CGI has had on traditional puppet-makers, animatronic artists, and stop motion animators whose work has increasingly been relegated to the sidelines.
Steven Spielberg's "Jurassic Park," along with other early-to-mid-Nineties films like "Terminator 2: Judgment Day" and "Toy Story," were all part of a breakthrough era in CGI filmmaking. What many people may not realize, however, is that the decision to create computer-animated dinosaurs wasn't made until the film was well into production.
Irish filmmaker Alan Holly's "Coda"was the grand prize winner at Fest Anča, which wrapped up last Sunday in Žilina, Slovakia.
Here's the teaser for the Marvel-derived "Big Hero 6," Disney's next animated feature which will be out in November.
Following Sylvain Chomet's first-class "Simpsons" opening, I didn't expect any animator to top it creatively—and certainly not so soon after. I've never been happier to be wrong.
I can remember looking at anime titles in British video catalogues back in the nineties; as the pastoral fantasies of Hayao Miyazaki would not reach prominence in this country until the new millennium, UK distributors placed a strong emphasis on futuristic thrillers. The films of Mamoru Oshii certainly fit that bill.
“Animated cinema is the demiurgic art par excellence: matter comes to life and is transformed in the hands and imaginations of the creators. They, more than anybody, know about the secret life of objects.” This description, comes from the exhibition “Metamorphosis: Fantasy Visions in Starewitch, Švankmajer and the Quay Brothers,” now playing at the Centre de Cultura Contemporanea (CCCB) in Barcelona, Spain, and it's a good summary of the work of these four visionary animators.
There are big developments in the UK animation industry in the wake of a much-heralded tax break received by the British animation industry that went into effect last year. Sarah Smith, the former creative director of features at Aardman Animations, is setting up a studio named Locksmith Animation. She bills it as the UK’s "first high-end CGI feature animation studio," and it is focused on creating a long-term slate of films for worldwide distribution.
Animation is overtaking the streets of downtown Montreal’s entertainment district, the Quartier des Spectacles, and various cities in Scotland in honor of Norman McLaren's centennial.
Cartoon Brew officially launched on March 15, 2004. A decade is a long time to be doing anything, but it feels like an especially long time to be blogging daily. As we head into the site's 10th anniversary year, here are some reflections on where we've been and where we're headed.
The autobiographical graphic novel L’Ascension du Haut Mal, (released in English as Epileptic), is being adapted into an animated …
Last week, Google’s Advanced Technology and Projects group released the second animated short, Buggy Night, in its Spotlight Stories, a …
Filmmaker and artist Allison Schulnik debuts a new work at the Wadsworth Atheneum Museum of Art in Hartford, Connecticut this month.
Animator and filmmaker Michael Sporn, a man who represented the spirit and vitality of New York's animation scene as much as any other single individual, passed away from pancreatic cancer on January 19. He was 67.
Last summer at SIGGRAPH, Pixar presented a paper offering some clues about one of the major new directions that CG feature animation is headed. The paper, "Stylizing Animation By Example," explored how filmmakers could achieve more expressive rendering styles that disregard the perfect boundaries of computer graphics rendering and mimic traditional painting techniques.