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‘Suzume’ Passes ‘Weathering With You,’ ‘Your Name’ For Biggest Japanese Opening Of Director Makoto Shinkai’s Career
A November release could hurt 'Suzume' long-term. Shinkai's previous films opened in summer, historically a more favorable window.
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Disney Plans Layoffs, Hiring Freeze After Weak Fourth Quarter
In a memo to executives, CEO Bob Chapek outlined a series of cost-cutting measures headed Disney's way.
Storytelling Through Clothes: How Marvelous Designer 12 Is Used To Create Richer And More Complex Characters
Tippett Studio texture artist Michele Ahn discusses how she uses Marvelous Designer software to tell stories with fabric and texture.
‘Guillermo Del Toro’s Pinocchio’ Gets Final Trailer Ahead Of December Streaming Release
The film debuts on the streamer December 9.
Jan Rabson, Voice Actor For ‘Akira,’ Leisure Suit Larry, And A Pixar Regular, Dies At 68
Rabson was a versatile actor whose voice can be heard on some of the most popular animated features of all time, often for only a few seconds.
Youtube Animator CircletoonsHD, Signs With Odd Projects
Odd Projects will represent Brantley in all areas and support expansion into merchandising, licensing, and endorsements.
“It’s Time That People Really Start Taking This Seriously”: Anime Is Booming At The U.S. Box Office
Crunchyroll, GKIDS, and Eleven Arts spoke with Cartoon Brew about the impact and sustainability of the anime boom at U.S. theaters
Page-To-Screen Adaptations: Advice For Turning A Book Or Comic Into An Animated Project
Louis Jacobée of Éditions Gallimard explains the creative and strategic virtues of writing a book, comic, or graphic novel before turning it into an animation project.
Australia’s Princess Pictures Acquires ‘My Little Pony’ Animation Studio Boulder Media From Hasbro
The Irish studio will expand Princess' output capacity as it targets new genres and new markets.
Netflix And Disney Dominate Nominations At First-Ever Children’s & Family Emmys
Netflix's most-nominated project is "Maya and the Three;" Disney's is "Ciao Alberto."
‘Eek! The Cat’ Co-Creator Bill Kopp Ditched The Studios To Make His Own Series ‘Dumb Bunny & Jackass’ (Exclusive)
"I know how to do every job in animation, so I'm gonna just sit down and do this," Kopp says of his decision to go indie.
Bilibili Unveils ‘The Three-Body Problem’ Release Date, Touts 49-Series Pipeline
The Chinese streaming platform notes that it has seen a boom in demand for adult animation.
CEE Animation Forum: Dozens Of Eastern European Animation Projects Will Be Pitched
One of Eastern Europe's biggest animation get-togethers, this year's CEE will be hybrid, with most events available to watch online.
‘Directing Is Directing, No Matter The Medium’: A Call For DGA Coverage Of Animation Directors
Animation and live-action director Clay Kaytis believes it's time for all directors to be covered by the Directors Guild of America.
Animation Coming To Netflix, Disney+, Hulu, Criterion Channel, HBO Max, And More In November 2022
High profile original fare is joined by a glut of holiday themed programming in our November animation streaming guide.
Reviews Roundup: ‘Wendell & Wild’ Charms Critics Despite Its Loosely Focused Narrative
Critics have called it “overstuffed” and “unfocused,” yet most were happy to forgive those faults thanks to the film's virtues.
From Picasso To Sonny Rollins: Pablo Lobato On Designing The Characters Of ‘Wendell & Wild’ (Exclusive Artwork)
Illustrator Pablo Lobato, who had never worked in animation prior to this film, had to both learn – and unlearn – craft and skills to design characters for stop motion.
‘Little Nicolas’ Takes Top Honors At Animation Is Film 2022
Other prize winners included features 'My Father's Dragon' and 'Aurora's Sunrise' and the short film 'Ice Merchants.'
‘Lost In Oz’ Production Challenge: Putting A Modern Spin On Classic Literature
The creators of "Lost in Oz" walked a delicate tightrope in order to pay homage to the original books while putting a fresh spin on the story.
‘Wendell & Wild’ Director Henry Selick On Embracing The Imperfection Of Stop Motion (Video Interview)
“I wanted to have evidence of [stop motion's imperfections]," says Selick. "I think the audience needs to work a little bit to make the magic real, but then the movie means more to them.”
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