Mighty Studios Connects Global Artists With 2D And 3D Animation ShotGrid Pipeline
A ShotGrid-based pipeline helps Mighty's remote team manage workloads while connecting with international artists.
A ShotGrid-based pipeline helps Mighty's remote team manage workloads while connecting with international artists.
Filmation's 1966 'Superman' series laid the foundation for animated superhero shows, but getting the job took some creative deception.
Trioscope, producer of 'The Liberator,' announced it will be licensing its suite of software tools and practical solutions for general use.
Support for reform is growing as pro-animation WGA member Raphael Bob-Waksberg campaigns to join the organization's board.
'Tangled: The Series' co-creator Chris Sonnenburg will lead Daily Wire's animation ambitions.
'Sonic 3' will hit theaters in late 2024, with Chris Miller's 'The Smurfs' musical following in early 2025.
As theatrical runs wind down in many key territories, 'The Rise of Gru' will get a second wind with Chinese and Italian releases.
Pelstring's animation is akin to watching early 1980s television on a broken down portable tv set while ingesting a small dose of mescaline.
We try to make sense of the noise surrounding rumored cuts and cancellations at Warner Bros. Discovery after the company's Q2 earnings call.
'Luck' director Peggy Holmes discusses the process of creating and developing Skydance Animation's first animated feature.
Critical reviews have been mixed for the first feature from Skydance Animation.
The film by the pioneering Latin American animation director was discovered in a group of old film cans.
MTV Entertainment Studios adds Everybody Still Hates Chris to its adult animation line up.
Cinesite is making a big bet on Quebec animation by its second Montreal studio in as many months.
Christopher at Sea is the only U.S. short selected for this year’s festival, and the only animated film in the Orizzonti competition section.
Characters developed under Coker’s supervision include Frosty the Snowman, Kris Kringle, Winter Warlock, and many more.
The film's long-term prospects are bright, with little competition in the kids and family space over the next five weeks.
What does a Toronto selection mean for Wendell & Wild's Oscar prospects, and what has a TIFF premiere meant for animated films in the past?
Without the RISD, there would be no Superjail!, Avatar: The Last Airbender, or Family Guy.
Picchu writer-director Amaru Zeas highlights the educational challenges and beauty of his native Ecuador.