Cartoon Forum Reflects Europe’s Fast-Growing And Changing TV Animation Industry
The 27-year-old pitching and co-production market is one of the most important events in the world of European TV animation.
The 27-year-old pitching and co-production market is one of the most important events in the world of European TV animation.
Miró, Matisse, Picasso, and...Woody Woodpecker?
Management news from around the industry.
Asking questions about animation is what separates the student from the fanboy.
Illumination's "The Secret Life of Pets" also set a new all-time record this weekend.
It takes a village of artists and technicians to create a sophisticated CGI character like Elliot the Dragon.
Animation historian Maureen Furniss revisits the Ottawa grand prize-winning short "The Man Who Planted Trees."
Hanna-Barbera is getting an art show, and it's not the one they deserve.
The first edition of the festival will take place next year in Canada.
The ever-expanding Brooklyn animation scene offers two unique animation screenings this month.
GKIDS is proud to bring you "Phantom Boy," the highly anticipated new film from the Academy Award-nominated writers and directors of "A Cat in Paris."
Discover the art of Colleen Castleman, Cartoon Brew's Artist of the Day.
Fan art is now a business for Cartoon Network.
Two animation companies have joined the production of Cartoon Saloon's "The Breadwinner" in its push toward completion.
If you want a preview of the TV shows that European animation companies will be producing over the next few years, Cartoon Forum is the place to be.
Carton Brew speaks to ILM vfx supe Pablo Helman about the variety of vfx techniques needed to create the scene-stealing performances of Bebop and Rocksteady.
A Los Angeles animation studio creating work that appeared on Disney and Nick-owned platforms didn't pay it artists for months and suddenly shut down.
Discover the art of Armand Serrano, Cartoon Brew's Artist of the Day.
Here's something that happens rarely in Hollywood: someone trying to NOT take credit for work they did.
Aardman created the characters using household stains as color.