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‘Pacific Rim Uprising’: How Toys And Motion Capture Helped Bring Giant Robots To Life
Here's what it took to animate the giant Jaeger robots in "Pacific Rim Uprising."
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‘The Tick’: Making A Completely CG, 2,000-Foot Human On A TV Schedule And Budget
Behind the scenes of FuseFX's Very Large Man digital human created for the Amazon series "The Tick."
7 Weeks, 917 Frames, Glass Beads, Hair Wax, And Vaseline: Inside ‘Early Man”s Longest Shot
How Aardman Animations pulled off the hilarious massage scene in Nick Park’s "Early Man."
Maintaining A Cohesive Vision On ‘The Breadwinner’: How A Co-Production Between Ireland And Canada Worked
Many animated features are made as co-productions nowadays. But how do studios actually collaborate on a film? We spoke with Toronto-based Guru to learn how they worked with Ireland's Cartoon Saloon on "The Breadwinner."
Why The Craziest Stunt In ‘Black Panther’ Took 214 Versions
We look at how vfx studio Luma Pictures helped deliver that high-octane car chase scene for Ryan Coogler’s blockbuster superhero film.
Tips From The VFX Oscar Nominees For Working With Film Directors
Five vfx supes from the five vfx Oscar-nominated films share tips for collaborating with film directors.
‘Peter Rabbit’ Director Will Gluck On Making a Hybrid CG/Live-Action Film — And Why It Was So Tough
A very candid chat about the challenges of making of "Peter Rabbit."
Toon Boom Harmony Brings Traditional Anime To Life Digitally
Read our case study of how a young Japanese studio is using Toon Boom to create traditional pencil-and-paper quality work, while respecting their artists’ process and culture.
The Evolution of Snoke In ‘The Last Jedi’: From Andy Serkis To Animation
A look at how ILM and Andy Serkis' Snoke continued to evolve during production on the latest "Star Wars" film.
54 Nominees Selected For Inaugural Ibero-American Animation Quirino Awards
Fourteen countries submitted projects for the first-ever Quirino Awards.
See The Results Of This Animator’s Homemade Motion Capture System Using iPhone X
The Apple iPhone X is turning out to be a much more powerful tool for animation artists than anyone could have imagined.
Speaking With The Makers Of ‘Condorito,’ Opening Today In U.S. Theaters
Already a hit in several South American countries, "Condorito" opens today in the United States.
‘Paddington 2’: How To Find A Character’s Performance
‘Paddington 2’ animation supervisor Pablo Grillo talks with us about how Framestore explored animation style and technique to discover the personality of its cg-animated star.
‘Garden Party’ Filmmakers On Why Photoreal CG Was The Right Creative Choice For Their Film
This quirky Oscar-shortlisted student film from France is a fine example of how photoreal CG can be an effective storytelling choice.
The Wonderful World Of Cardboard In Daniel Agdag’s ‘Lost Property Office’
The moody universe of this Oscar-contending short was created with 2,500 sheets of recycled cardboard.
Unpacking The Creative Process Of ‘Negative Space’
In order to produce "Negative Space," a gorgeous stop-motion short that illustrates a father and son’s shared ritual of perfectly packing a suitcase, the directors were forced, rather appropriately, to get quite good at the art of packing themselves.
Q&A: ‘Okja’ Director Bong Joon-ho Talks About Working With Visual Effects
"Okja" helmer Bong Joon-ho offers a director's perspective on creating a lead character that is entirely computer generated.
How ‘Downsizing’ Managed Its Miniature Moments
There are hundreds of visual effects shots in "Downsizing, but the film is certainly not a visual effects movie.
The 3 Effects Techniques Guillermo del Toro Used In ‘The Shape of Water’ To Create A Convincing Character
Practical effects, digital make-up, and dry-for-wet filming helped make Guillermo del Toro's 'The Shape of Water' possible.
For First Time, Golden Globes Nominate Two European Animated Features
Historic! For the first time, two European features, two films rated above PG, and two women directors among the Golden Globe animation nominees.
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