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The 3 Effects Techniques Guillermo del Toro Used In ‘The Shape of Water’ To Create A Convincing Character
Practical effects, digital make-up, and dry-for-wet filming helped make Guillermo del Toro's 'The Shape of Water' possible.
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For First Time, Golden Globes Nominate Two European Animated Features
Historic! For the first time, two European features, two films rated above PG, and two women directors among the Golden Globe animation nominees.
Teaser: ‘Spider-Man: Into the Spider-Verse’ Looks Shockingly Awesome
Coming next Christmas.
Digital Humans In Real-time Are The Star In Neill Blomkamp’s Latest Short
Neill Blomkamp’s Oats Studios made a new short using Unity game engine.
It’s Not Just A Rubber Band, It’s An Animated Character
An exploration of the storytelling power of real-life materials in animation.
Lytro And Rodrigo Blaas Collaborate on VR Short Using New Volume Tracer
An explanation of light field rendering and how it can help animators with immersive vr filmmaking.
2018 VFX Oscar Predictions, And The Films That Might Just Steal a Contender Spot
Who's going to be nominated for a vfx Oscar? And who might slip in through the back door? We do a comprehensive breakdown of the category.
‘Thor: Ragnarok’: Making Marvel’s Funniest Character So Far
Animators overcame big challenges to transform Taika Waititi into a 7-foot 6-inch rock creature.
Exclusive Premiere: ‘Plant Room,’ A 360-Short By Jeron Braxton And Julian Glander
Watch the premiere of the 360-short "Plant Room," which examines the heavy influence of technology on our lives.
20-Year Anniversary: Creature Supervisor Phil Tippett Reflects On ‘Starship Troopers’
Visual effects legend Phil Tippett looks back at two decades since "Starship Troopers," and shares recently unearthed location scout and on-set video from the film.
iClone 7 Introduces Markerless Facial Capture Tech
Faceware's markerless motion capture tech is now available for character and avatar animation software iClone 7.
‘Tomorrow’ Is An Ambitious 14-Minute CG Short From Iran (Trailer)
An Iranian animator launched his own studio to create this independent cg short.
How One Animator Is Making His Own CG Series With Unreal Engine
Peter Monga shares the lessons he’s learned creating "Morgan Lives in a Rocket House" on his own with the Unreal game engine.
How Animal Logic’s R&D For ‘The Lego Ninjago Movie’ Included Going to the Beach
The studio looked to real world reference for water, sand, fire, and smoke in their latest Lego movie.
More Animated Series Are Using TVPaint Software Than Ever Before
Studios like Tonko House and Gigglebug are discovering the benefits of TVPaint for series production.
Everything You Need To Know About Apple’s New Animoji
With Animojis, Apple brings augmented reality to the masses.
Upcoming Animated Series ‘Zafari’ Is Being Rendered Completely With The Unreal Game Engine
"Zafari'"director David Dozoretz on how his animated tv series is using real-time rendering - and the new possibilities that tv creators have with real-time rendered CG series.
Emmy Awards 2017 Winners: ‘Samurai Jack’ Leads Animation Projects With 4 Wins
The final season of "Samurai Jack" came up big at the 2017 Emmy Awards.
INTERVIEW: How Jorge Gutierrez Learned to Embrace the Polygon While Making ‘Son of Jaguar’
For a filmmaker, working in vr is like chopping off someone's legs and telling them to run, says "Son of Jaguar" director Jorge Gutierrez.
The Secret History Of Disney’s ‘Gemini Man’ And The Quest To Make A Convincing CG Human
More than 15 years ago, Disney tried to make "Gemini Man," a film in which a real actor interacted with his younger CG self. This is the story of the studio's ambitious attempt to make a convincing CG human.
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