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After The Fall Of The Iron Curtain, Three Young Hungarians Begin Forging European Train Tickets In The Animated Doc ‘Pelikan Blue’
Accomplished short filmmaker László Csáki's joined us to discuss crafting his feature debut.
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It Took Nearly Two Years To Design The Hundreds Of Characters In ‘Across The Spider-Verse’
Kris Anka and Jesús Alonso Iglesias discuss some of the most memorable characters from the Oscar-nominated Spidey-sequel.
Praxinos’ Odyssey, A New 2D Animation Tool Powered By Unreal Engine, Is Out Now
Praxinos manager and co-founder Elodie Moog joined us for a brief Q&A about the software.
Indie CG Artist Julian Glander Shares An Early Look At His Debut Feature ‘Boys Go To Jupiter’ – Exclusive
Glander spoke with Cartoon Brew about the joys and challenges of self-producing an animated feature.
Designing An Annie-Nominated Series: This Year’s TV/Media Production Design Nominees Share The Tricks Of Their Trade
Production design teams from 'Star Wars: Visions,' 'Blue Eye Samurai,' and 'Scavengers Reign' share the artwork that earned their nominations.
Mark Gustafson, Stop-Motion Veteran Who Co-Directed Oscar-Winning ‘Pinocchio,’ Dies At 64
Gustafson was also the supervising director of 'The PJs' and animation director of 'Fantastic Mr. Fox.'
Bring On The Night: A Detailed Look At The Stunning Lighting And VFX Work In Dreamwork’s ‘Orion And The Dark’
Visual effects supervisor M. Scott McKee shares insights and artwork from behind the scenes of Netflix's upcoming feature.
Oscar Shortlist Interviews: Directors Dan Abraham And Trent Correy Share Their Favorite Shot From ‘Once Upon A Studio’ (Exclusive)
In this exclusive series, the filmmakers behind each of this year's Oscar-shortlisted shorts reveal their favorite shots.
This Year’s Oscar Shortlisted Filmmakers Discuss Their Visual Approach To Storytelling
Shortlisted directors describe their visual development approach and how they adjusted the style or techniques they'd used on previous work.
Oscar Shortlist Interviews: Director Stephen Vuillemin Shares His Favorite Shot From ‘A Kind Of Testament’ (Exclusive)
In this exclusive series, the filmmakers behind each of this year's Oscar-shortlisted shorts reveal their favorite shots.
Oscar Shortlist Interviews: Directors Jared And Jerusha Hess Share Their Favorite Shot From ‘Ninety-Five Senses’ (Exclusive)
In this exclusive series, the filmmakers behind each of this year's Oscar-shortlisted shorts reveal their favorite shots.
Oscar Shortlist Interviews: Director Bret Parker Shares Her Favorite Shot From ‘Pete’ (Exclusive)
In this exclusive series, the filmmakers behind each of this year's Oscar-shortlisted shorts reveal their favorite shots.
Oscar Shortlist Interviews: Director Dave Mullins Shares His Favorite Shot From ‘War Is Over!’ (Exclusive)
In this exclusive series, the filmmakers behind each of this year's Oscar-shortlisted shorts reveal their favorite shots.
‘Suzume’ Director Makoto Shinkai Talks About Writing And Storyboarding His Own Films
Shinkai opened up about his unique (mostly) solitary process of writing and developing films.
Three Of This Year’s Oscar-Qualified Directors Discuss The Enduring Appeal Of 2D Animation
Nearly half of this year's 33 Oscar-qualified animated features feature hand-drawn 2d animation, or cg meant to look hand-drawn.
2024 Oscars Short Film Contenders: ‘Arrest In Flight’ Director Adrian Flury
This non-narrative film is loaded with color and motion that is satisfying and familiar but always a few degrees from normal.
Netflix’s ‘Lost Ollie,’ Disney’s ‘Moon Girl And Devil Dinosaur’ Win Big At Children’s & Family Emmys
Disney’s ‘Baymax!’ and ‘Star Wars: Young Jedi Adventures’ each won two prizes of their own over the weekend.
‘Dawn Of The Nugget’ Reviews Roundup: Aardman’s ‘Chicken Run’ Sequel Maintains The Hand-Crafted Charm Of Its Predecessor
Critics are saying that 'Dawn' has the humor and good looks of its predecessor, but lacks the first film's sense of peril.
‘Dawn Of The Nugget’ Director Sam Fell On The ‘Daunting’ Task Of Directing A Sequel To ‘Chicken Run’
“If I’m daunted by something, I’m more attracted to it," says Fell of the sequel, which debuts this Friday on Netflix.
Seth MacFarlane’s Fuzzy Door Tech Launches Viewscreen Suite Of Real-Time Production Visualization Tools
Having used the tools on 'The Orville' and 'Ted,' MacFarlane says Viewscreen revolutionizes real-time production.
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