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Animator Spotlight: Rod Scribner
In today’s world of focus-tested blandness and homogenized AI sludge, watching Scribner’s boldly personal weirdness from 80 years ago is a breath of fresh air.
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Animator Spotlight: Emery Hawkins
"I go berserk as far as the formula," Hawkins explained of his approach. "I just can’t resist the temptation to take the formula and change it."
Animator Spotlight: Ben Washam
The secret to identifying a Bugs Bunny scene animated by Washam: Look at the teeth.
Triggerfish Launches Free Online Course For Aspiring African Animators
A new initiative from South Africa's Triggerfish aims to help young animators learn about the animation industry.
4 Steps Sony Imageworks Took To Animate The Sardonic Pawny From ‘Men In Black: International’
Kumail Nanjiani lends his voice — and personality — to the completely cg alien.
How One Animator Is Making His Own CG Series With Unreal Engine
Peter Monga shares the lessons he’s learned creating "Morgan Lives in a Rocket House" on his own with the Unreal game engine.
‘The Donn Of Tiki’: How 2D And Stop-Motion Animation Elevate This Documentary About The Creator Of Tiki Culture
Filmmakers needed multiple animation styles to convey the many ways that Donn Beach re-invented himself in the mid-20th Century.
Shadowmachine Animation Director Brian Leif Hansen Takes Us Behind The Scenes Of Peacock’s Stop-Motion Gem ‘In The Know’
Hansen explains how his team brought life to the grounded and familiar characters of 'In the Know,' now streaming on Peacock.
Shane Plante On Using Harmony To Make The Horror Film ‘The Gate’
The Mercury Filmworks animator tells us how he made his film using Toon Boom Harmony Premium.
Faith, Nazis, And The Queen Of Scratch: A Conversation With Andreas Hykade
We speak to the renowned filmmaker ahead of the Annecy premiere of his autobiographical new film "Altötting."
‘Symphony of Two Minds’ by Valere Amirault (Exclusive Premiere)
Cartoon Brew presents the Internet world premiere of "Symphony of Two Minds," a CG short unlike any you've seen before.
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