France’s TeamTO is partnering with Toronto’s House of Cool to teach storyboard classes.
The Hungarian animator’s popular GIFs earned her a recent commission from Adult Swim.
Succinct and timeless insights on how to be an artist – in one minute.
The “Simpsons” assistant director, who passed away last month, gave an illuminating masterclass shortly before his death.
Tom Sloan explains how, back in the 1980s, he and his colleagues animated the little man who lived on a plastic cup.
Aim to create jokes that you find funny. Avoid monkeys. And, if possible, install a diner booth in your home.
The filmmaker and “Over the Garden Wall” art director reflects on his unusual career path.
The editor is one of the most important – and least understood – roles in modern feature animation filmmaking.
The Oscar-winning writer breaks down his storytelling process and reflects on the “nightmare” that was this project.
Fiery debates, deleted scenes, Dutch angles, and Sean Bean: all figure in Maidagan’s essay.
In a new documentary, animator Shingo Tamagawa explains the unusual back story to his indie short.
An effect made famous in live action also has application in animated filmmaking.
Oswald Iten looks beyond Disney’s famous songs to the six feature scores composed by George Bruns in the 1950s–70s.
All you need is a pitch outline and nerves of steel.
Want to learn a useful new skill: try virtual production.
“[It’s] kind of like the designs you remember them looking like, not so much what they actually look like,” says “Animaniacs” co-executive producer Gabe Swarr.
Vincent Alexander run us through the finest self-referential moments in animation, from Koko the Clown to “The Simpsons.”
Make this essential tool for hand-drawn animation using just a few basic supplies.
TV writer Jeff Lowell tweeted that his young colleagues know too few classic shows. His comments caused quite a stir.