Make this essential tool for hand-drawn animation using just a few basic supplies.
TV writer Jeff Lowell tweeted that his young colleagues know too few classic shows. His comments caused quite a stir.
Portuguese filmmaker Abi Feijó believes children should do more than just watch animation; they should also learn how to bring their own stories to life. And he’s been teaching kids how to create animated films for over 30 years.
Harvey Newman tells animators looking to enter the video game industry what to do — and what to avoid doing.
Colin Jack tells us why he started using the app — and why he published a tutorial to help others do the same.
The teams behind three projects pitched at Annecy’s MIFA market tell us what was gained — and lost — in the shift to virtual pitching.
Calderon’s Youtube channel Surviving Animation is a goldmine of tips on the business side of things.
What style has Glen Keane gone for in his first feature? Industry artist Kim Allen takes a look on his Youtube channel.
Learn to take criticism. Don’t assume you’ll learn much at school. And always think of the nose…
What does it take to make it as a storyboard artist? The people behind “Summer Camp Island,” “Apple & Onion,” and “The Amazing World of Gumball” give advice.
The initiative aims to “inspire local creativity while raising the bar for independent animation worldwide.”
The revered cinematographer discusses his little-known work for the likes of Pixar and Dreamworks in a fascinating new podcast series.
An important name in modern Disney animation outlines his philosophy of success.
The courses are tailored to artists at various career stages. They start on May 23.
The late filmmaker made dozens of films based on children’s books. In a 1977 documentary, he explained how to do this well.
Learn how to create a project from conception to completion, and how to break into the industry.
Veteran animator Jean-Denis Haas explains why the animation in these films is a cut above the rest.
Adam Habib and Sharon Calahan reveal their approach to emulating live-action cinematography in “Onward.”
The actor performs 12 new characters in ten minutes — while narrating his creative process.
Sign language. Mice mid-celebration. Dragons flying into snow. These are just some of the shots that have given pros a headache.