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Disney

Who Does What On A CGI Character: The Many Makers of Elliot in ‘Pete’s Dragon’

It takes a village of artists and technicians to create a sophisticated CGI character like Elliot the Dragon.

‘Sausage Party’ Directors Conrad Vernon & Greg Tiernan On Making 2016’s Most Outlandish Animated Film

The directors of "Sausage Party" talk about the challenges of selling an R-rated animated feature in Hollywood, producing a film on a fraction of the budget of other studios, and knowing when you've gone too far in an R-rated cartoon.

Events

Ottawa Animation Festival 40th Anniversary Look-Back: ‘The Man Who Planted Trees’

Animation historian Maureen Furniss revisits the Ottawa grand prize-winning short "The Man Who Planted Trees."

Feature Film

Interview: Mark Osborne’s Personal Journey On ‘The Little Prince’

Mark Osborne talks about why he said no to directing the project at first and why working in CG can drive a director crazy.

Interviews

How Andrew Coats and Lou Hamou-Lhadj Made The Independent Short ‘Borrowed Time’ Inside Pixar

Making an independent animated short is hard. But what if you had the power of Pixar’s animation toolset and renderfarm behind you?

Cartoon Brew Pick

‘After the End’ by Sam Southward — Exclusive Premiere

The only thing worse than being the last man on Earth is being the second-to-last man on Earth.

Feature Film

Director Chris Renaud On ‘The Secret Life of Pets’

Chris Renaud talks about comic influences on "The Secret Life of Pets," Illumination's unconventional workflow, and the studio's fluid production process that allows humor to be added in during every stage of production.

Advertising

‘A Surreal Lucid Nightmare’: The Making Of ‘Warhammer 40,000: Dawn of War III’ Trailer

As much a surrealist art piece as a game promo, the trailer for Warhammer 40,000: Dawn of War III is a unique accomplishment. Cartoon Brew takes a look at how it was made.

Feature Film

The Tech Behind Bebop and Rocksteady’s Comic Turns in ‘Teenage Mutant Nina Turtles: Out of the Shadows’

Carton Brew speaks to ILM vfx supe Pablo Helman about the variety of vfx techniques needed to create the scene-stealing performances of Bebop and Rocksteady.

Interactive

Navigating VR Animation Production: Patrick Osborne And His Team On Creating ‘Pearl’

In the new frontier of vr animation, basic film concepts like cutting and editing can become huge technical challenges.

An Interview With 3 SVA Computer Art MFA Grads Whose Films Were Selected for Annecy

New York City's School of Visual Arts MFA Computer Art department is receiving global recognition for the shorts created by its students.

CGI

An Oral History of ILM’s ‘Dragonheart’ On Its 20th Anniversary

"Dragonheart," released twenty years ago this week, was a live-action film that had one of the first digital characters you could believe in. We talk to the ILM artists who created it.