Meet The SVA Alumni Educating The School’s Next Generation Of Artists
SVA alumni discuss life after graduation, and why so many have returned to teach at their alma mater.
SVA alumni discuss life after graduation, and why so many have returned to teach at their alma mater.
Favez's short films and tv work feature an assortment of odd yet lovable and compassionate characters seeking social connections.
Showrunners of the 'Lost in Oz' short 'Packing Magic' describe how they used visual collaboration platform Bluescape to coordinate teams and studios from across the globe in one digital workspace.
Rutledge’s works are trippy cg wonders that take viewers on a sensory ride they never knew they wanted or needed.
North American animation shouldn't be afraid to touch on themes that are adult in depth and concern.
Newall and longtime partner Tom Yohe also produced the Emmy-winning NBC animated series "Drawing Power."
Diakur's utterly original films have garnered acclaim for using software glitches and defects to tell sensitive stories about equally broken humans
The new animation division's first production will be the former Blue Sky Studios feature 'Nimona,' releasing on Netflix in 2023.
A look at some of the women making waves in Latin American animation.
“Isolated and alone in an industrial and hyper-masculine world, it’s the story of someone’s struggle to discover their truth,” says Brown.
At the end of his current two-year term as CEO, Iger will resume the consultancy role he started last year.
'Strange World' hits theaters this week, so we checked in on what the critics are saying about Disney's latest animated feature.
Joon discusses the semi-autobiographical nature of his short film, and how he fused different animation techniques to make it work.
As 'Strange World' gets set to blast off in theaters this week, Vincent Alexander reminds us about some amazing animated aliens.
In our second list of the year, we check out five titles which have qualified for this year's animated short Oscars race.
This week's subject is Estonian master Priit Pärn, the animation successor of Jean-Luc Godard, George Grosz, Pop Art, and Monty Python.
According to the team at Epic Games, with UE 5.1 "we're honing in on the artist, and how the artist can use this tool."
In a memo to executives, CEO Bob Chapek outlined a series of cost-cutting measures headed Disney's way.
The Criterion release is a one-off project driven by "my own filmmaker ego" says director Andrew Stanton.
Tippett Studio texture artist Michele Ahn discusses how she uses Marvelous Designer software to tell stories with fabric and texture.