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Why The Craziest Stunt In ‘Black Panther’ Took 214 Versions
We look at how vfx studio Luma Pictures helped deliver that high-octane car chase scene for Ryan Coogler’s blockbuster superhero film.
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2018 Oscar Nominations: Animated Feature, Animated Short, VFX
Join us on Cartoon Brew for complete animation-related Oscar coverage.
The Wonderful World Of Cardboard In Daniel Agdag’s ‘Lost Property Office’
The moody universe of this Oscar-contending short was created with 2,500 sheets of recycled cardboard.
Unpacking The Creative Process Of ‘Negative Space’
In order to produce "Negative Space," a gorgeous stop-motion short that illustrates a father and son’s shared ritual of perfectly packing a suitcase, the directors were forced, rather appropriately, to get quite good at the art of packing themselves.
‘Fox And The Whale”s Robin Joseph On Making A Personal Film: “The Only Way Is To Become Fully Immersed”
To make the film he truly wanted to make, industry artist Robin Joseph had to go indie. Now, his film "Fox and the Whale" is shortlisted for an Academy Award.
The Twenty Most-Read Cartoon Brew Stories of 2017
Here’s a look back at the pieces that captivated the animation community in 2017.
Lytro And Rodrigo Blaas Collaborate on VR Short Using New Volume Tracer
An explanation of light field rendering and how it can help animators with immersive vr filmmaking.
The Secret History Of Disney’s ‘Gemini Man’ And The Quest To Make A Convincing CG Human
More than 15 years ago, Disney tried to make "Gemini Man," a film in which a real actor interacted with his younger CG self. This is the story of the studio's ambitious attempt to make a convincing CG human.
75 Years After Its New York Debut, ‘Bambi’ Remains Underrated
"Bambi" offered a warning to humanity, but no one listened.
Who Hated ‘The Emoji Movie’ The Most?
Critics aren't holding back on "The Emoji Movie," labeling it a piece of shit…a force of insidious evil…a soul-crushing disaster…nakedly idiotic.
INTERVIEW: Rob Hoegee And Chris Prynoski On The New Amazon Original Series ‘Niko and the Sword of Light’
Titmouse brought its A game for the new Amazon fantasy-adventure series "Niko and the Sword of Light."
‘Transformers: The Last Knight’: Behind Bumblebee’s New Trick
How the "Transformers: The Last Knight" vfx crew crafted a new kind of transformation for the franchise’s fifth outing.
Inside Neill Blomkamp’s First Experimental Oats Studios Short ‘Rakka’
Oats Studios isn't just creating fresh new content, they're creating a fresh and new approach to the process of making vfx-driven films.
Going Into and Beyond Peyo’s World for ‘Smurfs: The Lost Village’
How Sony referenced the original material and looked to new horizons for the latest Smurfs feature film.
INTERVIEW: ‘Hey Duggee’ Creator Grant Orchard On Creating An Unconventional Preschool Show
After 20 years in the industry, Oscar-nominated short filmmaker and commercial director Grant Orchard discovered that tv series production has its own unique challenges.
‘Rock Dog’ Director Ash Brannon On How To Navigate A Chinese-Funded Production
Made in America with Chinese money, does "Rock Dog" represent a future for animated features?
‘My Life As A Zucchini’ Director Claude Barras On The Hard Work of Simplicity and Minimalism
Director Claude Barras talks about the hard work of achieving simplicity, the keys to making kid characters in animation feel authentic, and why he believes stop motion is the midpoint between fiction and animation.
‘Return of the Jedi’ and ‘Roger Rabbit’ VFX Supe Ken Ralston Reflects on the State of the Industry
Five-time-Academy Award winner Ken Ralston offers his thoughts on past projects and the future of vfx.
Q&A: Director Chris Wedge on the Road to ‘Monster Trucks’
How Blue Sky's Chris Wedge went from animation to live-action for 'Monster Trucks'.
The 20 Most-Read Cartoon Brew Stories of 2016, And Some Thoughts On Those Stories
This is what you clicked on the most in 2016.
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