Oscar Animated Shorts Nominees: How Each Film Was Developed Narratively
We speak to the directors behind "Daughter," "Memorable," "Kitbull," "Sister," and "Hair Love."
We speak to the directors behind "Daughter," "Memorable," "Kitbull," "Sister," and "Hair Love."
New York studio Thinko believes that its Mr. Puppet Animation System could change animation production.
See the complete list of 2019 Annie Award nominations.
The winners have been announced for the 2019 “Animation At Work” Contest for films that use Reallusion's Cartoon Animator software.
We spoke to the artists and developers behind "Later Alligator," "Knights and Bikes," and "River City Girls" about their games' stylized visuals.
In our round-up of articles, the senior crew explain how they created — and, in some cases, fudged — the film's photorealism.
"I like taking on something that’s not going to be that easy," says "Uglydolls" director Kelly Asbury.
A cult icon in the world of American independent animation, Bruce Bickford crafted beautiful and terrifying worlds of stop motion animation.
Animating fur in "Missing Link" required a combination of old-fashioned craftsmanship and tech-savvy vfx.
The countries with the most-nominated animation projects are Spain (13), Brazil (7), and Colombia (5).
The director of "Incredibles 2" is the first major figure at Pixar to speak openly about John Lasseter.
In the first of a two-part series, we explore the production design of "Age of Sail," "Bao," "Bilby," "Lost & Found," and "One Small Step."
From giving animators greater rigging control to refining the ability to time transformations more precisely, ILM has perfected the technical animation art of the transformation.
Why Imageworks had to 'break' their animation and VFX pipeline to make "Spider-Man: Into The Spider-Verse."
Jamaal Bradley has worked on some of Hollywood's biggest animation productions. Now he's making his directorial debut with the feature-quality independent short "Substance."
Responding to public pressure on social media, Walt Disney Animation Studios is reanimating the scenes of Princess Tiana that appear in "Ralph Breaks the Internet."
Animation may not be able to save our planet, but at least it can draw attention to how corporations like Nestle, Unilever, and Mondelez are destroying the planet.
Academy Award winner Ed Jones explains what it took to create "Who Framed Roger Rabbit" in the days before digital vfx.
An insight into Image Engine’s work as one of several vfx studios on the new Netflix series, “Lost in Space.”
Two 2017 graduates of School of Visual Arts’ MFA Computer Arts department recently sat down with a current student, Devan Worth [Graduate …