This Year’s Oscar Shortlisted Filmmakers Discuss Their Visual Approach To Storytelling
Shortlisted directors describe their visual development approach and how they adjusted the style or techniques they'd used on previous work.
Shortlisted directors describe their visual development approach and how they adjusted the style or techniques they'd used on previous work.
In this exclusive series, the filmmakers behind each of this year's Oscar-shortlisted shorts reveal their favorite shots.
Meledandri says if established studios tried cutting budgets to Illumination levels, it would be disruptive to their artistic culture.
The series debuted in Latin America earlier this month, and and English-language version is planned for 2024.
Watch a conversation with the filmmakers of 'Nimona,' which is newly nominated for a Critics Choice Award.
The Dreamworks vet says this is the most collaborative film he's ever worked on, "There are thumbprints from every artist in this film."
Set in a world where colors are banned, the short turns on a young man whose vibrant identity is accidentally outed by a playful young child.
The film is directed by Raman Hui ('Shrek the Third') from a screenplay by David Magee ('Life of Pi') and Christopher Yost ('Thor: Ragnarok').
The film's aesthetic is inspired by the work of legendary cartoonists including Ronald Searle and Bill Watterson.
Under the shadowy threat of war, a young Ukrainian girl awaits a call from her father.
The editor of 'Across the Spider-Verse' dissects the film's unconventional opening sequence and its climactic train-top fight scene, among other topics.
Executives reversed course after their initial decision to shelve the film blew up in their faces like a pile of Acme dynamite.
2024 promises to be another exciting year for animated features!
Netflix's hybrid series 'Lost Ollie' scored a noteworthy 10 nominations, but most were for the film's live-action portions.
We've got details on nine animated features being showcased at this year's AFM.
The short was produced by Clubcamping in Argentina and back by internet activist group Vero from Brazil.
Artists from across Europe joined us to discuss the benefits and potential hurdles of producing animation for mature audiences.
This is the first time in IATSE's history that a bargaining unit made up entirely of vfx workers has unionized with the organization.
Thanks to a new report by CNBC’s Alex Sherman, we now know far more about the tumultuous period from 2020-2022 when The Walt Disney …
Scalise told us when practical effects were preferrable, and when the digital artists at Framestore were required to deliver a scene.