‘Lego’ Animated Films Producer Dan Lin To Take Over As Netflix Film Boss
Lin will leave his label Rideback to replace outgoing Netflix feature boss Scott Stuber on April 1.
Lin will leave his label Rideback to replace outgoing Netflix feature boss Scott Stuber on April 1.
Since the VES Awards introduced its visual effects in an animation prize in 2008, 11 of the 15 winners went on to win the animated feature Oscar.
It's been two decades since the cult favorite series ended, but Demers says WB brass has given a solid "maybe" to their proposal.
Independent animated features from around the world are looking for distribution partners at this year's EFM.
Disney talks big about its future with the Apple Vision Pro.
The 22nd VES awards will be presented on February 21 at The Beverly Hilton Hotel in Los Angeles.
A look back at the stories that had the biggest impact on the animation world over the last month.
Tenerife's animation and vfx industries are booming thanks to highly competitive tax incentives and an influx of talented artists.
For the first time, this year's short film winner will qualify for the Oscars' 2025 animated short category.
Vfx supervisor Jonas Ussing is releasing a series of video essays on the art of "invisible cgi" and why studios don't acknowledge using it.
Director Julio Soto and character designer Max Kostenko discuss the development process for the film, hitting U.S. cinemas this weekend.
Netflix will begin releasing Skydance animated features in 2024, starting with Vicky Jensons' 'Spellbound.'
We attended every pitch at this year's Weird Market in Valencia and picked out 10 that deserve a closer look.
The Kremlin has also said it will create a production hub in Moscow and lighten the tax burden on animation companies based in Russia.
Workers at the Rochester-based studio want to improve working conditions and set a precedent for other gaming industry workers.
Four previous winners from broadcast tv and a stand-alone special from Netflix make up this year's field of nominees.
Irwin's work rests on the borders of narrative and non-narrative, reality, fantasy, and horror.
Over $160,000 in grants are being given to projects that make use of new technological tools for animation or open-source software.
Women, Black, and Asian artists were mostly overlooked in the animation branch.
You've no doubt heard of the animation programs at Calarts, but what is it like to actually attend the school. We asked some recent students about their experiences.