CBS All Access’s ‘No Activity’ Switches From Live Action To Animation For Fourth Season
"We love drawing and have always wanted to express ourselves creatively in that medium," say the show's developers.
"We love drawing and have always wanted to express ourselves creatively in that medium," say the show's developers.
We speak to four studios about what it takes — and what it costs — to make cg visuals for theme park rides.
The division plans to develop more than 30 new kids’ shows, both animated and live action, over next three years.
China's popular streaming service is actively looking for European production partners.
Matt Maloney, associate chair of Savannah College of Art and Design’s animation department, describes how the pandemic could change the industry for the better.
We dive into the feature projects presented at this year's pitching forum.
The trade body for the sector has slammed Disney's decision in a statement.
A loving elegy to a friend lost to suicide.
We speak to MDEC, the dynamic government agency fueling Malaysia's animation boom.
J.J. Abrams will produce an adaptation of "Oh, The Places You'll Go!" for the studio.
More people saw "Jiang Ziya" in its first day than have seen Disney's "Mulan" during its entire release in China.
Susan Young's 1985 short is set during London's famed Notting Hill Carnival. "The thing that really excited me was that she’d used animation to say something about society at that time," says Quinn.
Nihei's new film "Polka-Dot Boy" premieres this week at the Ottawa International Animation Festival.
The Irish studio's new film pits city against nature, sometimes beautifully, sometimes crudely.
Netflix has given a 10-episode straight-to-series order for the animated revival.
The film, about a shipwrecked boy and his dog, is based on a novel by "War Horse" scribe Michael Morpurgo.
The film premieres this Saturday in Toronto.
Hundreds of would-be attendees cancelled their participation in the past week leading the event to move online.
She worked as a visual development artist, character designer, and story artist on most of Disney's 2d features of the 1990s.
With his studio Ruby-Spears, he helped define the look of Saturday morning cartoons for more than a decade.