Most Industry Creators Don’t Own Their Shows Or Characters. Some Production Companies Are Trying To Change That
Animation creators are generally lucky to own 10% of their IP. A cohort of young companies wants to change that.
Animation creators are generally lucky to own 10% of their IP. A cohort of young companies wants to change that.
The virtual convention, which runs September 7–12, will celebrate the latest in animation, illustration, and concept art.
As of this month, creators can be paid up to $10,000 for their channels of 60-second Shorts videos.
The studio will now be led by Jen Oneal and Mike Ybarra.
The compositing tool was used in every shot in the film — the first fully cg feature from the fabled Japanese studio.
“A studio should not have its twenty-something girls crying in the bathroom, doing all-nighters,” says Joan Chung.
Welcome to the Hanna-Barbera Shared Universe.
Watching the series "was the first time that it really became clear to me what a director does," says Chung.
The first family of primetime animation is trying to make a comeback.
"There was a magical quality in it: it's more like little dolls that were coming to life," says Park of the classic British stop-motion series.
The veteran artist will teach art direction at the online school CAT Animation this summer semester.
Cartoon Cartoons will seek to "discover new voices," with an emphasis on diversity.
Welcome to our series of interviews with the directors of this year’s Oscar-nominated animated shorts.
The proportion at union studios in L.A. has risen from 28% in 2019 to 31.6% this month, even as women have left the wider workforce in droves.
Browngardt's deal is the first one to span the two studios.
Warner Bros.’s chief of kids' content spoke of Cartoon Network's future and more besides.
Even as she built up an impressive career working with the likes of Ralph Bakshi, Hanna-Barbera, and Warner Bros., Banks remained very private about her life.
Ilze Burkovksa-Jacobsen explains how she drew on her experience of an oppressive regime to make her Oscar-qualified feature.
Ruthie Harrison and Richie Ward reflect on the opportunities MECA has given them to make art and present it to the world.
Jen Hurler reflect on her time at the studio, which will shut down in April.