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‘The Wild Robot’ And ‘Arcane’ Lead 52nd Annie Award Nominations
'Inside Out 2' and 'Wallace & Gromit: Vengeance Most Fowl' picked up seven nominations apiece.
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2025 Oscars Short Film Contenders: ‘A Crab In The Pool’ Directors Alexandra Myotte And Jean-Sebastien Hamel
This Oscar contending short takes place in a run-down neighborhood, where Zoe and her little brother Theo are left to fend for themselves.
2025 Oscars Short Film Contenders: ‘Zoo’ Director Tariq Rimawi
Based on true events, 'Zoo' was inspired by the world's worst zoo located in Gaza.
2025 Oscars Short Film Contenders: ‘Duck’ Director Elie Chapuis
Vladimir and Olga hope for a child, but this expectation soon turns into a nightmare in this eerie short where dreams and reality collide through stop-motion animation.
2025 Oscars Short Film Contenders: ‘Nate & John’ Director Jumai Yusuf
Barbershops and salons are "one of the last spaces in modern society that nurtures face-to-face connections, allowing people to bond on a basic human level," says director Jumai Yusuf about the setting of her short film.
Behind The Scenes Of ‘Spongebob & Sandy’s Country Christmas’ Stop-Motion Special
'Spongebob' executive producers Marc Ceccarelli and Vincent Waller talk about why they love working with Screen Novelties on stop-motion projects.
2025 Oscars Short Film Contenders: ‘The Wild-Tempered Clavier’ Director Anna Samo
The only Oscar contender animated on toilet paper, 'The Wild-Tempered Clavier' is a one-of-a-kind short.
2025 Oscars Short Film Contenders: ‘Tennis, Oranges’ Director Sean Pecknold
A robot vacuum in a pandemic hospital quits its repetitive job and travels to Chinatown looking for meaning.
A Thrilling Tour Through The History Of Wild Takes In Animation
Get ready to have your eyes pop out of your skull, because today we’re taking a look at some of the great wild takes throughout animation history.
“Sometimes We Can’t See Ourselves As What We Are”: Director Naoko Yamada On Why She Made ‘The Colors Within’
"It’s wonderful to find somebody who can show us this positive side of ourselves," Yamada says of the idea behind her new film.
Copeland Brothers To Develop Feature Projects At Laika
In recent years, Chris and Justin Copeland have worked on an impressive number of animated action-adventure series.
Poland’s ‘Mechozaurs’ Series Is A Cross-Atlantic Collaboration Between Veteran American Writers And European Producers
Presenting at Cartoon Forum this week, 'Mechozaurs' is a sophisticated adult animated series set in an expansive universe.
‘MeteoHeroes’ TV Series Is Taking Climate Education Directly To Children In American Schools
The show, which currently airs around the globe, is experimenting with a unique distribution strategy for U.S. audiences.
Step-By-Step: Creating Kid-Friendly Educational Animation
Indian animator Prosenjit Biswas walks us through his process of using Cartoon Animator 5 to create his animation projects.
Animator Spotlight: Emery Hawkins
"I go berserk as far as the formula," Hawkins explained of his approach. "I just can’t resist the temptation to take the formula and change it."
From Light Novel To Anime Sensation: ‘Solo Leveling’ Producer And Action Director Discuss The Breakout Hit
Ahead of the second season launch, key figures on 'Solo Leveling' are talking about the production of the ambitious series.
First-Time Showrunner Natasha Kline On Creating Disney’s Latest Series ‘Primos’
Kline discussed with Cartoon Brew the challenges of musical segments in TV animation, balancing scripts and boards, and the show's evolution from the original pitch.
Mark Dindal Shares The Animatic For A Deleted Scene From ‘The Garfield Movie’ (Exclusive)
He also shared with Cartoon Brew why this sequence didn't make it into the final film.
Nearly A Half-Century In The Making, David Allen’s Stop-Motion Hybrid ‘The Primevals’ Is Finally Finished
A look at the long, tortured path to finishing a feature film.
How Studio Ponoc Pushed Innovation In 2D Animation With Its Latest Feature ‘The Imaginary’
Studio Ponoc founder Yoshiaki Nishimura says that 'The Imaginary' gave the studio a chance to move outside of its storytelling comfort zone, as well as push the look of their animation.
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