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Ollie’s Odyssey: A Behind-The-Scenes Look At The Twelve-Year Journey Of Netflix’s ‘Lost Ollie’ (Exclusive)
In the works for more than a decade, 'Lost Ollie's journey to the screen is nearly as epic as that of its floppy-eared hero.
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Allison Abbate Steps Down As Warner Animation Group Head
Abbate's departure comes as Warner Bros. Discover CEO David Zaslav reorganizes the company's film divisions.
‘The Liberator’ Studio Trioscope Begins Licensing Proprietary Software Suite
Trioscope, producer of 'The Liberator,' announced it will be licensing its suite of software tools and practical solutions for general use.
Year-Long Laika Exhibit, Screenings To Open Next Month At Museum Of The Moving Image
"Laika: Life in Stop Motion" will open at the Museum of the Moving Image in Astoria, NY on September 1, 2022.
How A Passion For Educational Equity And The Cloud Inspired The Creation Of ‘Picchu’
Picchu writer-director Amaru Zeas highlights the educational challenges and beauty of his native Ecuador.
Styles In Animation: Why Felt Feels Right
Cartoon Brew asked several stop motion experts about their feelings on felt, and what makes it the right material for certain projects.
Ghibli Park, Opening In November, Gets Beautifully Illustrated Map And New Poster
The park includes a Ghilbi Warehouse, Satsuki and Mei's house from My Neighbor Totoro, and the Earth Shop from Whisper of the Heart.
How A ‘Warrior Mentality’ Fuels The Spirit Of Pixar Film Editing (Video Interview)
Talking Editing With 'Making The Cut At Pixar' Authors Bill Kinder And Bobbie O'Steen.
Seven Decades Of Animation: The Rock & Roll Career Of ‘Heavy Metal’ Director Gerald Potterton
At 91 years young, the animation legend keeps plenty busy at his farm near the U.S.-Canada border.
Ringling College Alumni Allege Fraud, Negligence In Lawsuit
The group alleges the school mishandled student-on-student reports of sexual assault, sexual harassment, threats of violence, and stalking.
‘Marcel The Shell With Shoes On’ Reviews Roundup: Seamless Stop-Motion And Loads Of Heart
Sitting at 100% on Rotten Tomatoes, critics are loving the stop-motion seashell ahead of its big screen debut on Friday.
‘Lightyear’ VFX Supervisor Jane Yen On Making An IMAX Blockbuster From Home, And How VR Helped
Working from home, the studio developed a new IMAX pipeline for its first theatrical release in more than two years.
Two New Mature Animated Features From Portugal: ‘Nayola’ And ‘My Grandfather’s Demons’
Critic Carlos Aguilar reviews two standout Portuguese films that featured at Annecy this year.
Behind The Scenes Of Netflix’s ‘My Dad the Bounty Hunter’ At Dwarf Animation Studio – Video Exclusive
Watch show creators Everett Downing and Patrick Harpin's first visit to the French animation studio producing My Dad the Bounty Hunter.
European Projects That Impressed At Annecy: ‘Ozi,’ ‘The Inventor,’ ‘Greetings From The Apocalypse’
We've picked out three... well four, of the most exciting European projects to catch our eye at this year's Annecy festival.
New Series ‘The Doomies,’ ‘Dragon Striker’ Lead Packed Disney TV Slate
During its annual Annecy studio presentation, Disney announced three new series, several renewals, and expanded episode counts of upcoming series.
WIA Unveils Program For 2022 Women In Animation World Summit At Annecy
WIA returns to Annecy 2022 to host a series of panels, a fireside chat, and the first-ever Stories x Women initiative.
Production Workers At ‘The Simpsons,’ ‘Family Guy,’ And ‘American Dad!’ File To Join The Animation Guild
20th Television Animation chose not to voluntarily recognize the unit, so the workers are filing petitions for union elections with the NLRB.
Straight To The ‘Hearth’: How SCAD Students Created The Game ‘Home Is Where the Hearth Is’
The multi-award-winning game was made over 20 weeks as part of SCAD's Interactive Design and Game Development program.
Magical Mash-Ups: A History Of Live-Action/Animation Hybrids
The release of Chip ’N Dale: Rescue Rangers got us thinking about the long history of mixing live action and animation in the days before computers.
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