EXCLUSIVE: Dreamworks Directors On How They Made ‘Bilby,’ And On The Studio’s New Shorts Program
Directors Pierre Perifel, Liron Topaz, and JP Sans reveal how working on the new Dreamworks short transformed them as filmmakers.
Directors Pierre Perifel, Liron Topaz, and JP Sans reveal how working on the new Dreamworks short transformed them as filmmakers.
The Japanese filmmaker's toe-tapping latest "Lu Over the Wall" open in the U.S. this Friday.
All the key details about this weekend's new animation release: "Sgt. Stubby: An American Hero."
The biggest challenge for "Coco" director Lee Unkrich this award season: pretending that his film's executive producer, John Lasseter, doesn't exist.
The ASIFA-Hollywood Annie Awards love Disney.
An explanation of light field rendering and how it can help animators with immersive vr filmmaking.
Why is Hollywood obsessed with making animated films based on intellectual property that doesn't have any stories, characters, or mythologies?
"Song of the Sea" director Tomm Moore is ready to reveal details about his third feature, the "final panel of our Irish folklore triptych."
Attention, filmmakers: Here are some new ways to ensure your animated short gets seen by online audiences.
The most comprehensive list of 2017 theatrical animated features!
So many great contenders this year. The first step to judging them is understanding how diverse the slate of films is in 2016.
The directors of "Sausage Party" talk about the challenges of selling an R-rated animated feature in Hollywood, producing a film on a fraction of the budget of other studios, and knowing when you've gone too far in an R-rated cartoon.
Making an independent animated short is hard. But what if you had the power of Pixar’s animation toolset and renderfarm behind you?
Chris Renaud talks about comic influences on "The Secret Life of Pets," Illumination's unconventional workflow, and the studio's fluid production process that allows humor to be added in during every stage of production.
A Los Angeles animation studio creating work that appeared on Disney and Nick-owned platforms didn't pay it artists for months and suddenly shut down.
From new visions to revivals of lost wonders, next year's incoming animated features reach far and wide.
Cloudkid has become the second major Boston animation studio to shut down in the last eight months.
2016 is shaping up to be the year of the animated animal feature, and "Sing" just might be the quirkiest film of the bunch.
The former Disney animator speaks about the challenges of creating an international co-production spanning more than a half-dozen countries, numerous visual styles, and almost a decade of production time.
Artist and filmaker Till Nowak is a rare talent who can work across art forms and scientific disciplines, until his viewers are left disoriented and dazzled.