Malaysia Focus: 5 Things You Need To Know About Southeast Asia’s ‘Quiet Giant Of Animation’
We speak to MDEC, the dynamic government agency fueling Malaysia's animation boom.
We speak to MDEC, the dynamic government agency fueling Malaysia's animation boom.
Other prizewinners include Soetkin Verstegen's "Freeze Frame" and Nadja Andrasev's "Symbiosis."
Vincent Alexander run us through the finest self-referential moments in animation, from Koko the Clown to "The Simpsons."
As the school launches new diversity initiatives, alumni share their experiences tackling social and political issues in their work.
Release date reshuffles, a "Lion King" sequel, a new studio from Don Bluth, and more…
The film, which tells the story of Catalan artist and political activist Josep Bartoli, hits French theaters tomorrow.
Tang Chinese forces clash with the Abbasid Caliphate in this new feature from Nice Boat Animation.
Alex Désert will voice Carl Carlson in "The Simpsons" and Arif Zahir will take over as Cleveland Brown in "Family Guy."
Nihei's new film "Polka-Dot Boy" premieres this week at the Ottawa International Animation Festival.
The critically acclaimed "Bojack Horseman" ended its six-season run without ever having won an Emmy Award.
The film recently held the no. 1 spot in Spain for two weeks in a row.
Naito has overseen the running of Nickelodeon's animation business since 2018.
Unsettled studios, inclusivity milestones, a controversial "Ren & Stimpy" reboot, and much more…
The petition was started by Robyn Byrd, who has accused the show's creator John Kricfalusi of sexually abusing her as a child.
Supernova will unfold across outdoor projections, as well as online screenings.
With his studio Ruby-Spears, he helped define the look of Saturday morning cartoons for more than a decade.
"I wasn’t sure what the film was about," says Clapin, "and that hardly mattered to me."
"Wolfwalkers" will stream around the world on Apple TV+ following its theatrical run.
Dinosaurs collide with cavemen, Adam with aliens, in this zany send-up of creation myths.
"In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions," says Nathan Love's Joe Burrascano.