Interview: Mark Osborne’s Personal Journey On ‘The Little Prince’
Mark Osborne talks about why he said no to directing the project at first and why working in CG can drive a director crazy.
Mark Osborne talks about why he said no to directing the project at first and why working in CG can drive a director crazy.
Will Laika score big with "Kubo and the Two Strings"?
"My Life As a Courgette" won both the Cristal and audience award for feature film at Annecy 2016.
The director of "Coraline" and "The Nightmare Before Christmas" explains why you should know the name Jan Svankmajer and how to help him make his last feature film.
MPC recruitment manager claims, "Getting to say you make THE BEST movies gets you friends with benefits."
"Dragonheart," released twenty years ago this week, was a live-action film that had one of the first digital characters you could believe in. We talk to the ILM artists who created it.
After a six-year break, Sony Pictures Classics is back in the animation game.
Visual effects veteran Greg Jonkajtys is giving a high-tech upgrade to a classic Polish children's property.
"Pearl" will be one of the thirteen animated projects screened at Tribeca next month.
Three French features and four shorts were nominated for César awards this year.
Animation is growing up at the prestigious Cartoon Movie forum in France.
This year's Sci-Tech Academy Awards remind us that technological innovation is a major part of animated filmmaking.
One of the most original voices in contemporary stop motion talks about his work with us.
"Inside Out" scores a best screenplay nod, "Minions" gets its first major nomination, and animation legend Richard Williams is nominated in the shorts category.
Audiences in LA and NY have voted with their wallets: they are ready for mature and intelligent feature animation.
Here's a look at the animation stories that you clicked on the most during the last 12 months.
Cordell Barker, the two-time Oscar-nominated director of "The Cat Came Back" and "Strange Invaders," guides Cartoon Brew readers through the challenges of making a mixed-media animated short.
Filmmaker Tess Martin visits Anim'est, Romania's biggest annual animation event.
"Anomalisa" is proving that great animation can compete against anything -- even live action film.
Aardman's low-budget, big-picture animation continues to compete in our blockbuster marketplace, with stop-motion animation more real than hyperreal CGI.