Annie Award Nominations: Netflix Scores 51 Nominations. ‘Arcane,’ ‘The Mitchells Vs. The Machines,’ And ‘Maya And The Three’ Lead For The Streamer
The Walt Disney Company followed with 34 nominations for its projects.
The Walt Disney Company followed with 34 nominations for its projects.
Dreamworks has brought their A-game for this project.
The year may be wrapping up, but streamers aren't slowing down their animation releases.
Industry leaders gathered at the virtual festival to share lessons learned during their SCAD days.
Youtuber Swoozie works closely with an advisor at the company, who helps shape his content and business strategy.
China is releasing animated features at breakneck speed.
The Avengers are caught up in their biggest battle yet.
Director Travis Knight says the new film allows him to tell "a madly ambitious story of magic, wonder, and danger set in the place I grew up."
A new full-sized pinscreen — only the third in existence — has arrived in Quebec. Its creator talks us through the painstaking process of assembling it.
Get ready for new "Star Wars," the return of "Kid Cosmic," the launch of HBO Max's Cartoonito block, and much more …
Molina has married Jennifer Lee, chief creative officer of Walt Disney Animation Studios.
For 36 years, Matolscy headed Pannónia Film Studio, the Eastern Bloc's second-biggest animation studio.
The "Family Guy" creator wishes the show "was on any other network."
Damon Pourshian, who claims Pixar ripped off his student film "Inside Out," has won an appeal in an Ontario court.
Artists' collective Universal Everything have created an endless parade of code-generated characters. We're entranced.
The studio's next film will be released in April 2022.
The compositing tool was used in every shot in the film — the first fully cg feature from the fabled Japanese studio.
From Mickey to Marvel, Buzz Lightyear to Homer Simpson, Disney is home to a who's who of animation legends.
The company is expanding its workforce, despite recent criticisms that it pays its artist rock-bottom rates.
An insightful, if sometimes dryly academic, look at the development of abstract in animation, chiefly between the 1950s and 1970s.