A Deep Dive Into 3D Animation Production With ‘Ink’ Directors Joost Van Den Bosch And Erik Verkerk
A 2d version of the charming aquatic short ‘Ink’ is now available online.
A 2d version of the charming aquatic short ‘Ink’ is now available online.
The Oscar-nominated ‘Robin Robin’ directors joined us to share behind-the-scenes stories and artwork from their indie project.
Clockwork toy characters and sets experience chaos mirroring the song’s unsettled narrative.
In this exclusive series, the filmmakers behind each of this year’s Oscar-shortlisted shorts reveal their favorite shots.
He’s directed some of Disney’s most beloved films of the modern era, but making I’m Hip required John Musker to do something he hadn’t done regularly in the last 40 years: animate.
Director Michael Emry teamed with U.K. visual artist Troy Browne to put together the vibrant spot.
After screening at dozens of festivals, ‘Hand’ is now available to stream.
Emanuele Kabu’s new short is made digitally on paper. We asked him how that’s possible.
“Slow Light” employs paper cut-out stop-motion and b&w hand-drawn animation to differentiate between overlapping timelines.
Based on a true story, Valley’s short was nominated for the Oscar in 2017.
Introducing the world of the illustrious Mr. Panicker and his tall tales.
That which is above is like that which is below, and that which is below is like that which is above.
A producer explains how they built a pipeline for the upcoming hybrid series “Royals Next Door.”
Daniel Hashimoto developed the ultimate A-ha template, then used it to create the ultimate parody video.
Max Punchface is only interested in two things – punch AND kicking.
Joanna Quinn’s new film “Affairs of the Art” took years to make, but that was a reward in itself: “It was like an extended college, and I felt I was learning new things about animation, drawing, and direction all the time.”
Welcome to our series of interviews with the directors of this year’s Oscar-nominated animated shorts.
The Virtual Businessman must get all the beans and kill Grampa.
The director describes the software’s unique advantages, and explains how he harnessed them in his recent commercial for Ariana Grande’s R.E.M. fragrance.
Music video for “Frutos Rojos” by Monterrey, Mexico-based psych rockers Los Mundos.