The Art of Animating Horror: An Interview with Robert Morgan
One of the most original voices in contemporary stop motion talks about his work with us.
One of the most original voices in contemporary stop motion talks about his work with us.
A washed-up movie monster relives his halcyon days.
Kaufman gained a real appreciation for animators during the making of his new film “Anomalisa.”
Cordell Barker, the two-time Oscar-nominated director of “The Cat Came Back” and “Strange Invaders,” guides Cartoon Brew readers through the challenges of making a mixed-media animated short.
Laika’s fourth film, “Kubo and the Two Strings,” is an honest-to-goodness action-adventure film set in a mythic Japan.
“Anomalisa” was a lot of work: Three years in the making, 1,261 faces, 1,000+ props and costumes. and 118,089 frames of film.
A short film about people with unusual living arrangements.
“Anomalisa” is proving that great animation can compete against anything — even live action film.
Aardman’s low-budget, big-picture animation continues to compete in our blockbuster marketplace, with stop-motion animation more real than hyperreal CGI.
A short insight into how one condo resident’s actions can affect everyone living there.
Anderson will make a stop motion film about dogs.
As children, we viewed the world through the lenses of our imaginations. The carpet became lava, the shadows formed monsters, the family minivan was a spaceship…
The papercraft spot represents a new style for the Oscar-nominated director of “Fresh Guacamole.”
Paramount will release “Anomalisa” in New York and Los Angeles on December 30th.
“Anomalisa” is the first feature film from TV animation producer Starburns Industries.
A man with social phobia gets followed by a naive and clumsy creature.
The production company behind ‘Robot Chicken’ and ‘BoJack Horseman’ steps out of profane stop-motion animated TV — and into profane stop-motion animated features.
“Inception” director Christopher Nolan is helping people discover the animated films of the Quay brothers.
The minds behind “Shaun” hold forth for an informative half-hour on making (much) more with (much) less.
Aardman’s adaptation of “Shaun the Sheep” is a critically acclaimed wonder. Will American audiences appreciate it?