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#Academy Awards

Disney Oscar Presentations Disney Oscar Presentations

Oscars Set New VFX, AI Rules For Next Year’s 99th Ceremony

Voters must watch the VFX Bake-Off reels, animated features get a Nov. 12 deadline, and the Academy reserves the right to question AI use.

By Jamie Lang | 5 days ago

2026 Oscars Winners 2026 Oscars Winners

Oscars 2026 Recap: ‘KPop Demon Hunters’ Scores Twice, Rocks The House; NFB Does It Again; Cursed Conan; And ‘Avatar’ Wins VFX

A breakout musical claims two trophies, Canada’s animation legacy grows, and a tech-driven blockbuster closes the night with VFX glory.

By Jamie Lang | 2 months ago

Oscars 2026 Animated Features

No Surprises Among This Year’s Animated Feature Nominees As Predictable Front-Runners Dominate

Oscar nominations revealed a risk-averse animated feature lineup, an unpredictable shorts race, and animation again ignored outside its own categories.

By Jamie Lang | 4 months ago

Playing God

Oscar Shortlist Interviews: Director Matteo Burani’s Favorite Shot From ‘Playing God’ (EXCLUSIVE)

Featuring a carefully animated fall where a clay figure loses its identity in a state between death and rebirth, the clip embodies the film’s emotional core.

By Jamie Lang | 4 months ago

Retirement Plan

Oscar Shortlist Interviews: Director John Kelly’s Favorite Shot From ‘Retirement Plan’ (EXCLUSIVE)

Kelly shares a playful scene that precipitates a drop in tone, and the one retirement dream that he shares with its protagonist, Ray.

By Jamie Lang | 4 months ago

The Quinta's Ghost

Oscar Shortlist Interviews: Director James A. Castillo’s Favorite Shot From ‘The Quinta’s Ghost’ (EXCLUSIVE)

The turning point scene shows Goya realize that his past and his madness are inescapable, yet he continues painting as the audience watches in helpless silence.

By Jamie Lang | 4 months ago

See The First Piece Of Concept Artwork From Each Of This Year’s 15 Oscar Shortlisted Animated Shorts (Exclusive)

We asked the filmmakers of all 15 shortlisted shorts to send us the first piece of artwork they created for their films and to explain what inspired the look.

By Jamie Lang | 4 months ago

The Shyness of Trees

Oscar Shortlist Interviews: ‘The Shyness Of Trees’ Directors On Their Favorite Shot (EXCLUSIVE)

The film’s emotional climax was also one of its most technically challenging, combining a moving camera, animated background, and emotional performance.

By Jamie Lang | 4 months ago

Forevergreen

Oscar Shortlist Interviews: Directors Nathan Engelhardt And Jeremy Spears Favorite Shot From ‘Forevergreen’ (EXCLUSIVE)

In two seconds, the film’s heart is revealed as an undeserving adopted prodigal son receives a selfless act of grace, sacrifice, and hope.

By Jamie Lang | 4 months ago

The Night Boots

Oscar Shortlist Interviews: Director Pierre-Luc Granjon’s Favorite Shot From ‘The Night Boots’ (EXCLUSIVE)

The Annecy-winning explains how meticulous pinscreen animation was used to create the woodland adventure’s coziest shot.

By Jamie Lang | 4 months ago

Éiru

Oscar Shortlist Interviews: Director Giovanna Ferrari’s Favorite Shot From ‘Éiru’ (EXCLUSIVE)

Split framing, shifting scale, and sound place the audience inside Éiru’s disorientation, collapsing time and space as her torch light fades.

By Jamie Lang | 4 months ago

The Girl Who Cried Pearls

Oscar Shortlist Interviews: Directors Chris Lavis And Maciek Szczerbowski’s Favorite Shot From ‘The Girl Who Cried Pearls’ (EXCLUSIVE)

The give a behind-the-scenes explanation of the pivotal shot where story, music, and performance align to create cinematic “sorcery.”

By Jamie Lang | 4 months ago

I Died in Irpin

Oscar Shortlist Interviews: Director Anastasiia Falileieva’s Favorite Shot From ‘I Died In Irpin’ (EXCLUSIVE)

Falileieva talks about building the entire film around this one shot, imagined just two days after she escaped the Russian attack on Ukraine.

By Jamie Lang | 4 months ago

The Three Sisters

Oscar Shortlist Interviews: Director Konstantin Bronzit On His Favorite Shot From ‘The Three Sisters’ (EXCLUSIVE)

Bronzit explains why the opening shot from ‘The Three Sisters’ is his favorite, and what he teaches aspiring animators about kicking off a film.

By Jamie Lang | 4 months ago

Butterfly

Oscar Shortlist Interviews: Director Florence Miailhe’s On Her Favorite Shot From ‘Butterfly’ (EXCLUSIVE)

In a man’s final swim, the aging champion revisits love, joy, and trauma, as water becomes a living passage between memory, loss, and survival.

By Jamie Lang | 4 months ago

Autokar

Oscar Shortlist Interviews: Director Sylwia Szkiłądź On Her Favorite Shot From ‘Autokar’ (EXCLUSIVE)

The director describes the film’s Sparrow Lady as a grandmother figure tied to memory and roots, defined by hidden eyes, gentle sadness, and familiar warmth.

By Jamie Lang | 4 months ago

Cardboard

Oscar Shortlist Interviews: Director J.P. Vine Shares His Favorite Shot From ‘Cardboard’ (EXCLUSIVE)

In this intimate moment, ‘Cardboard’ uses just a few frames to convey a single father’s sense of loss, softened by a hopeful light at the end of the tunnel.

By Jamie Lang | 4 months ago

Hurikán

Oscar Shortlist Interviews: Director Jan Saska Shares His Favorite Shot From ‘Hurikán’ (EXCLUSIVE)

The Czech director breaks down perspective, surprise, and setting behind the film’s first reveal, from frozen time to Prague’s iconic skyline.

By Jamie Lang | 4 months ago

Snow Bear Clip

Oscar Shortlist Interviews: Director Aaron Blaise Shares His Favorite Shot From ‘Snow Bear’ (EXCLUSIVE)

Disney legend Aaron Blaise discusses the emotional centerpiece of his Oscar-shortlisted animated short ‘Snow Bear’ and what the moment means to him.

By Jamie Lang | 4 months ago

Rogue Roundtable 2025

Five Indie Animated Features, Five Very Different Paths: Welcome To Cartoon Brew’s Awards Season Rogue Roundtable

Directors of ‘Endless Cookie,’ ‘Black Butterflies,’ ‘Boys Go to Jupiter,’ ‘Dog of God,’ and ‘Slide’ discuss their 2025 indie gems.

By Jamie Lang | 5 months ago

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