2023 Academy Awards: ‘Guillermo Del Toro’s Pinocchio,’ ‘The Boy, The Mole, The Fox, And The Horse,’ ‘Avatar’ Win Oscars
“Animation is the very definition of film,” actor Dwayne Johnson told the audience.
“Animation is the very definition of film,” actor Dwayne Johnson told the audience.
It’s Oscar day, the one day of year where Hollywood has to collectively grit its teeth and spend a few moments acting like they respect and appreciate animation.
Mickey, Donald, Buzz, Woody, and even Snow White have announced Oscar winners over the years.
While two of the categories feel like locks this year, the animated short race is still relatively open.
Best animated feature nominees are: ‘Pinocchio,’ ‘Marcel the Shell,’ ‘Puss in Boots,’ ‘The Sea Beast,’ and ‘Turning Red.’
These standout features from 2022 deserve a close look from Oscar voters.
The fifteen shortlisted filmmakers for the Best Animated Short Academy Award talk about the visual development of their films.
The second in our three-part interview series with the shortlisted filmmakers for the Best Animated Short Academy Award.
The first in a three-part interview series with the shortlisted filmmakers for the Best Animated Short Academy Award.
Our fourth look at contenders that have qualified for the 2023 Oscars.
The other seven categories dropped from last year’s live broadcast will also be back for March’s awards ceremony.
In our second list of the year, we check out five titles which have qualified for this year’s animated short Oscars race.
If the Academy wants to shed its reputation for being dismissive towards animation, these are some key questions it should consider.
The film will represent Canada in the Academy Awards category for international feature.
These nine Oscar-contending animated shorts have built momentum heading into awards season.
Thoughts on who might make an impact at the 2023 Oscars.
The Adrien Merigeau-directed film was also nominate for the European Film Award.
After this year’s Oscar debacle, Lord and Miller are asking for “a respected filmmaker to present the award and frame animation as cinema.”
The global animation community wasted no time in adapting the “greatest night in the history of television.”
Alberto Mielgo’s acceptance speech was as problematic as the other issues of the evening. It denied animation history. It rejected what exists, has existed, and will continue to exist.