Here’s what it took to animate the giant Jaeger robots in “Pacific Rim Uprising.”
A look at how ILM and Andy Serkis’ Snoke continued to evolve during production on the latest “Star Wars” film.
There are hundreds of visual effects shots in “Downsizing, but the film is certainly not a visual effects movie.
Steven Spielberg’s “Ready Player One” is a lot more animated than you may think.
Who’s going to be nominated for a vfx Oscar? And who might slip in through the back door? We do a comprehensive breakdown of the category.
Steven Spielberg’s pop culture-soaked dystopia transfers “The Iron Giant” and “Akira” to virtual reality.
How the “Transformers: The Last Knight” vfx crew crafted a new kind of transformation for the franchise’s fifth outing.
Kong and his Skull Island friends and foes receive their own special brand of animation in the new Jordan Vogt-Roberts film.
To launch the new year, Cartoon Brew is delighted to announce the return of our popular job listings service, covering employment opportunities in animation, vfx, and gaming studios.
Hollywood is honoring the cgi and vfx technologies that play such a huge role in filmmaking nowadays.
The rise of dead celebrities is new again, thanks to “Rogue One.”
Morphing has been an important part of vfx for quite a while. Here’s 10 memorable morphs that made us go wow!
New videos from ILM break down its character, crowd, and hair vfx for “Warcraft.”
The first teaser trailer for Luc Besson’s ‘Valerian’ is out—and it’s packed with vfx and animation.
Mark Dippé and Steve ‘Spaz’ Williams, who created groundbreaking vfx work on “Jurassic Park,” “T2,” and “The Abyss,” talk about what’s different about the vfx industry today.
Carton Brew speaks to ILM vfx supe Pablo Helman about the variety of vfx techniques needed to create the scene-stealing performances of Bebop and Rocksteady.
“Dragonheart,” released twenty years ago this week, was a live-action film that had one of the first digital characters you could believe in. We talk to the ILM artists who created it.
The Walt Disney Company has now won 16 consecutive animation awards at the VES Awards.
The new Turtles trailer contains plenty of cartoon fun, thanks to ILM.
Film producer Sam Mercer has been hired to run ILM’s four studios in San Francisco, Vancouver, London, and Singapore.
The full trailer for Disney and Brad Bird’s ‘Tomorrowland’ has arrived.
There are bad trailers, and then there’s this incomprehensible thing promoting “Strange Magic,” an animated feature that feels like Blue Sky’s “Epic” produced by the people who made “Delgo.”
Disney-owned Lucasfilm dropped a bombshell on the film world this morning: “Strange Magic,” a new previously-unannounced animated feature based on a story by George Lucas, will be released into theaters by Disney’s Touchstone Pictures label on January 23, 2015.
Last Friday the Scientific and Technical Awards Committee of the Academy of Motion Picture Arts and Sciences announced a list of 21 scientific and technical achievements in 16 different areas, which have been selected for further awards consideration.
Veteran visual effects supervisor John Knoll has been promoted to the position of chief creative officer at Disney-owned Industrial Light …
Disney’s $4.05 billion acquisition of Lucasfilm has generated more questions than answers. The Mouse has made it clear that they bought …
The New York Film Critics Circle, which I can only presume is a circle of film critics from New York, has announced their picks for the …
Above right is a photo of me in Paris some years ago standing besides the grave of French filmmaker and visual fx pioneer Georges …
Rango still intrigues me. Here’s the third trailer for the Gore Verbinski/Johnny Depp/ILM/Nickelodeon Movie slated for release next March: