‘Ugly,’ ‘Night Is Short, Walk on Girl’ Win Ottawa Grand Prizes
“Ugly,” a film made with funding from Cartoon Brew, won the short film grand prize tonight at the Ottawa International Animation Festival.
#Masaaki Yuasa
Netflix Reveals Major Slate Of 12 Original Anime Series
Netflix has a new philosophy when it comes to anime: go big or go home.
GLAS Animation Festival 2017 Recap: First And Foremost An Animator’s Festival
This year’s GLAS had all of the essential ingredients that make a great festival.
Annecy Unveils Full Lineup Of 23 Animated Features
Arthur de Pins’ “Zombillenium” will be the festival’s opening night film.
8 Must-See Programs At The Upcoming GLAS Animation Festival in Berkeley
Four days of animation screenings, filmmaker talks, workshops, installations, and parties are coming to Berkeley, California, next month!
Masaaki Yuasa Directed Yet Another Animated Feature, ‘Lu Over The Wall’
Japanese animation auteur directed not one, but two animated that will release this spring.
Masaaki Yuasa Has Made A New Feature ‘Night is Short, Walk On Girl’ (Trailer)
The director of the seminal “Mind Game” is back with a new feature film.
Brad Bird and Masaaki Yuasa Confirmed As Guests at GLAS 2017
Berkeley, California is the place to be in early March 2017.
Netflix Will Stream ‘Mind Game’ and Other Studio 4°C Films
The Internet streaming service has also acquired Studio 4°C’s “Tweeny Witches” series.
Annecy Will Host Genndy Tartakovsky, Masaaki Yuasa, ‘Zootopia’ Directors, Richard Williams
Annecy is taking over San Diego Comic-Con as the place for Hollywood to preview its major projects.
How Masaaki Yuasa Used Flash to Create His ‘Adventure Time’ Episode
In their new reel, Japanese studio Science Saru offers a peek into how they produce animated projects in Flash, including the episode of “Adventure Time” that was directed by Masaaki Yuasa.
Gift Book Ideas for the Animation Fan
Finding the perfect book for the beloved animation fan in your life can be a big challenge, but these gift-book ideas will inform and inspire anyone who loves animation and drawing.
How Japanese Animators Use Flash to Create Amazing TV Animation
Science Saru, the new studio started by Japanese directors Masaaki Yuasa and Eunyoung Choi, has shared a behind-the-scenes look at how they used Flash in the recent TV series “Ping Pong.”
Delivering Quality On A Tight Schedule: Speaking With ‘Ping Pong’ Art Director Aymeric Kevin
How did Aymeric Kevin and his team manage to produce so many quality backgrounds on such a short schedule? Aymeric speaks to Cartoon Brew about the background art of “Ping Pong.”
‘Ping Pong’ Recap: ‘Blood Tastes Like Iron’ (Ep. 11)
Masaaki Yuasa’s fourth TV show wraps up in a fairly satisfying way with a briskly paced and nicely animated climax that brings emotional closure to the story with a cathartic showdown and thread-tying coda.
Massive Masaaki Yuasa Art Book Will Be Published Next Month (Preview)
A sketchbook of production artwork by the innovative animation director Masaaki Yuasa will be published in Japan next month.
‘Ping Pong’ Recap: ‘I Thought You Were the Hero!!’ (Ep. 10)
Peco and Dragon battle it out in a fierce match, and Peco’s victory paves the way for a climactic showdown between old friends.
‘Ping Pong’ Recap: ‘Gonna Cry A Bit’ (Ep. 9)
Peco blazes through the tournament, but his knee begins to act up, leaving his future in question. Only Peco, Smile and Ryuichi remain at the end.
‘Ping Pong’ Recap: ‘The Hero Appears’ (Ep. 8)
Peco catches everyone off guard at the High School Championship Qualifiers with his newfound skills, skunking Kong in a reversal of the events of the previous championship.
‘Ping Pong’ Recap: ‘Yes, My Coach’ (Ep. 7)
Kaio finally tries to poach Smile, Peco gets into the National Training Center with a little help from the old lady, and we learn about coach Koizumi’s storied past. This episode was largely devoted to character development, and finally brought into focus just what a complicated web of character interrelations Yuasa has woven out of the original source material, much as he did in Mind Game. There was no single major driving plot element, but rather various themes and plotlines gradually converging. By this point it feels like what we are seeing is more Yuasa than Matsumoto.
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