What Animation Does Sony Own?
A continuing series in which we map out what major corporations own in terms of animation-related characters, studios, and distribution platforms.
A continuing series in which we map out what major corporations own in terms of animation-related characters, studios, and distribution platforms.
The Mike Rianda-directed film has also notched six straights days at no. 1 worldwide.
Disney has picked up second pay tv window rights to Sony’s upcoming features.
Olivares, who also served as character designer on Sony’s new film, tells us how it came together visually.
The slate runs the gamut from singing honey bears to a chainsaw-wielding George Washington.
The Lin-Manuel Miranda musical was previously set for a theatrical release on June 4. A new date has not been announced.
The director speaks to us about the challenges of developing a hand-drawn look for his cg feature, and much more.
The film squanders an interesting set-up by diverting into frenetic action and comedy.
The film is due to open in theaters on October 7, 2022.
The executive was previously at China’s Pearl Studio, where he oversaw co-production on “Abominable” and “Over the Moon.”
Netflix and Sony have cemented their growing ties with a major licensing deal covering animation and live-action.
The fourth and final feature in the franchise will now hit theaters on July 23, not August 6.
The redesigned theme park is set to open from October.
After numerous release delays due to the pandemic, “The Mitchells vs. The Machines” will launch on Netflix.
The proposed feature is set to be directed by Maggie Kang and Chris Appelhans, and produced by Aron Warner.
This weekend, animated films topped the box office in many major territories with a functioning theatrical sector.
The delayed feature is skipping a theatrical roll-out in favor of Netflix.
The streaming platform has announced five features, two specials, and one limited series for the next 12 months.
Welcome to the year of five Disney features, Ghibli’s comeback, and many, many sequels.
“Tut” is described as “an afro-futuristic, coming-of-age story of the boy king Tutankhamun.”