Pros and alumni will gather online for SCAD’s annual festival on September 23–25.
Many people view the Oscar as the ultimate film honor. When it comes to animated features, it’s the ultimate sham.
As had been expected, “Soul” and “Wolfwalkers” traded awards back and forth for much of the evening.
Pixar’s “Soul” won two awards: best animated feature and best original score.
Disney’s “The Mandalorian” was the other big winner, scoring three wins.
The editor is one of the most important – and least understood – roles in modern feature animation filmmaking.
The 93rd Academy Awards will be presented on April 25.
It’s a good year for Disney+ exclusives.
“Soul” and “Wolfwalkers” topped the feature film nominations with ten apiece, but most bizarrely, they aren’t competing against each other in the main feature category.
Pixar’s film also won an award for best original score.
Meanwhile, Studio Ghibli’s “Earwig and the Witch” took $132,768 in five days in North America, and “The Croods: A New Age” remains one of the top releases in the U.S.
This weekend, animated films topped the box office in many major territories with a functioning theatrical sector.
In Denmark, the white actor who voices Joe has defended his casting. In Portugal, a popular petition is calling for the film to be re-dubbed.
Oscar hopefuls shared some fascinating angles on behind-the-scenes crew diversity in a new roundtable.
Pixar’s latest almost tripled its debut in its second weekend, grossing $13.7 million.
Streaming services continue to dominate the animation news cycle, with HBO Max, Netflix, and Disney+ all making big announcements this week.
The company is shifting the film’s release to Disney+.
This week we look at shifting theatrical schedules, Fox’s big commitment to animation, and talk to Pixelatl head José Iñesta about Mexico’s evolving animation industry.
One animated feature is bucking the trend, and rather than delaying its release date, it’s moving it forward.
Rumors are flying that “Soul” might be the next animated feature to abandon its U.S. theatrical release.
Pixar is continuing to diversify its rank of co-directors, but what does that mean?
Is the festival warming up to animation at last?
The new changes leave Paramount’s “Sponge on the Run” as the only theatrical animation release of summer 2020.
The coronavirus has pushed other releases back — and may still do the same with these two.
Veteran animator Jean-Denis Haas explains why the animation in these films is a cut above the rest.
Welcome to The Great Before.
The Walt Disney Company has 25 features slated for theatrical release in 2020.
You won’t believe what happens to this guy after he falls down an open manhole…
Highlights: Three original works from Disney and Pixar, Apple’s entry into the animated features arena, and China’s growing role in international co-productions.
It will be the second original feature that Pixar releases next year.