Post columnist Thomas Heath details Weidenfeld’s career path, starting with his humble beginnings in Washington D.C. where he was raised by an estate lawyer and Betty Ford’s former press secretary—the latter being the daughter of a presidential confidant and ambassador to Italy. Educated at Georgetown Day School and then Columbia University, the Post recounts Weidenfeld’s upbringing where he bounced from an internship at the Pentagon to writing about hip hop and rap, and then clawed his way to a writing gig at Esquire. It was at the last job, while researching a piece about Cartoon Network’s Adult Swim, that he ‘bonded’ with CN exec Mike Lazzo over a mutual love of William Faulkner, which was the obvious qualification for a career in animation.
“You wake up one day and you are head of development at the number one ad-supported network on cable TV,” Weidenfeld told the Washington Post. “The nice thing about my story is about the connections I made, but not family connections. I broke into this business myself through friends.”
Weidenfeld attributes his inspirational trajectory from scion to media mogul to his ability to “be open.” When pressed for an explanation, he clarifies, “It’s just being open… to be open to know what you are good at, and know what value you bring to something, you find a way to fit it into whatever job it is. I’m good at making connections or putting an organization or putting pieces together. I’m a good global thinker.”
This unequivocal business acumen was refined by reading the biography of Steve Jobs, the history of Pixar, and Clayton M. Christensen’s The Innovator’s Dilemma: When New Technologies Cause Great Firms to Fail. “These guys had these ideas and figured out that the old systems don’t work anymore,” Weidenfeld said. “The first thing I said to Fox is I don’t want to just make shows. I want to build a business for you that takes advantage of the best parts of animation.”
Using only the choicest parts of animation, Weidenfeld is ready to reinvent how cartoons are made. He is putting all phases of production for Fox’s upcoming animation block, ADHD (Animation Domination High-Def), from development to animation, under a single roof at his new 120-person Los Angeles studio, generously provided by Fox. From there he intends to usurp the young male demographic from YouTube and Saturday Night Live by producing loads of animated content and writing off the costs. He told the Post that when he presented this foolproof business plan to Fox, they said, “Okay, here you go.”
“It sounds like a parallel universe to me,” writes Heath, “but he’s the one who is becoming the next Jeffrey Katzenberg or George Lucas, not me.”