Animation can provide a fascinating window into the past. In the 1950s and 1960s, as cars became a fixture in contemporary life, animators made all kinds of films about automobile culture, exploring its history, its prevalence within society, its effect on human behavior, as well as its future possibilities and potential consequences. These films didn’t merely feature cars as plot devices, but made a satirical commentary on the institutions of driving and vehicle ownership.
Cars were on the minds of everyone during the mid-century, and animated shorts about them were produced by both mainstream studios and independent animators, as well as both in the United States and Europe. Many of the shorts, like Motor Mania, Automania 2000, and Autókor, offered a bleak perspective on car culture, while other films were bought-and-paid-for by corporations who had an interest in promoting automobiles: the Portland Cement Association sponsored Disney’s Magic Highway USA and Ford sponsored TVC London’s The Ever-Changing Motor Car.