‘Chickenhare And The Hamster of Darkness’ Will Release In 2022
The Belgian animated feature is based on a short-lived Dark Horse graphic novel.
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
The Belgian animated feature is based on a short-lived Dark Horse graphic novel.
The independently produced European feature was directed by former Pixar animator Carlo Vogele.
Also headed to theaters: “Despicable Me 4.”
“Ray Gunn” is Bird’s first animation project since “Incredibles 2.”
The film is set to begin live-action photography in New Mexico at the end of March.
Disney’s long-gestating hybrid project “Chip ’n Dale: Rescue Rangers” has a trailer – and it’s a headscratcher.
Select GKIDS titles will begin rolling out on Tubi later this month.
The company reported better-than-expected subscription growth for Disney+ last quarter.
The film will be scripted by Pam Brady, co-creator of the notorious “Mr. Wong” web series.
Pixar is touting this as the “definitive origin story” of Buzz Lightyear, the hero who inspired the toy in the “Toy Story” films.
This year’s animated feature nominees were predictable. The short ones certainly weren’t.
Animation had its big breakout at the Oscars, with nominations in seven different categories.
Check out the words and artwork that went into “Luca,” “Encanto,” “Raya and the Last Dragon,” and “The Mitchells vs. the Machines.”
In six days, “Boonie Bears” grossed seven times what “Encanto” managed in a month.
“Flee” is up against “Encanto,” “Luca,” and “The Mitchells vs. the Machines” in the animated feature category.
Works by Guillermo del Toro and Chris Williams, alongside three anime features, are also in the mix.
Besides more familiar work, here’s a chance to watch the Studio Ghibli co-founder’s three-hour documentary about a medieval canal system.
There’s good news for “Encanto,” “Luca,” “The Mitchells vs. the Machines,” “Sing 2,” and “Raya and the Last Dragon.”
Think of Will Vinton fused with William S. Burroughs, with a dash of “Mad Max” and The Clash. Director Cesar Cabral tells us about the making of his wildly unique animated feature.
The company has been “consulting with members of the dwarfism community.”