Unexpectedly thought-provoking and beautiful in its own way, In the Pig, Everything is Good (Dans le cochon, tout est bon) takes advantage of the unconventional narrative possibilities available to the animated filmmaker. Made by Iris Alexandre as a graduation film at the Belgian school La Cambre: Ecole nationale supérieure des Arts visuels.

Oh Good Lord. This would be funnier if it weren’t so true…

(Thanks J.J. Sedelmaier)

I think we have a winner — “Makin’ with the Magilla”:

No song could possibly live up to the cover, but if you must:

If you have a more perfect cartoon-themed album cover, share it in the comments.

(via John K Stuff)

I think I like everything about this little student film directed by Kimberly Knoll and Yunghan Chang, from San Jose State University. The storytelling, the subdued color palette, even the music and sound FX (by Gray Grove). Nice job all around.

As many of you know, every month (on the fourth Monday evening) I co-produce a live comedy/cartoon show, Cartoon Dump, at the Steve Allen Theater in Hollywood. If you are in the area next Monday (1/23), this will be a great one to drop in on. In addition to our regulars, Frank Conniff (MST3K) and Erica Doering, our special comedy guest is once again Patton Oswalt. I’ll be there, showing an extra helping of really horrible cartoons. Showtime is 8pm. Ticket info is posted here. Check out the new FaceBook page for more information and updates.

The Chuck Jones Experience opens Thursday at Circus Circus in Las Vegas. Just in time, too, considering that one out of three Americans don’t know who Bugs Bunny is, and nearly half (44%) don’t recognize Daffy Duck. If you’ve ever watched this or this or this, you’d understand why the American public is trying to forget these once-great characters.

Unlike the United States, the French considered Tex Avery a genius in his time. When he passed away (8/26/80), the French mourned – and here’s a small example: a TV news broadcast featuring actress/screenwriter and critic France Roche discussing the passing of Tex Avery from August 29th, 1980. I don’t recall such attention being paid on U.S. TV at the time.

(Thanks, Valentin Moretto)

Last week at an animation screening in New York, the MC of the event, Bill Plympton, invited a member of the audience to take the stage and introduced him as a New York animation legend. The suspender-wearing pot-bellied gentleman looked about the farthest thing from a legend. I’d seen him at screenings before and never knew who he was, but I was certainly familiar with his famous work-in-progress animated film. It was none other than Michael Sullivan, who’s been working for over a decade on a stop-motion robot porno epic The Sex Life of Robots.

Michael has had a long career in animation, working on sets and puppets for projects like Star Trek V: The Final Frontier, Joe’s Apartment, and Bear in the Big Blue House,, but it’s the exquisitely crafted robot porn that he’s been making in his apartment that has captured the most attention. Now he’s about to become a lot more famous thanks to a short documentary—Meaning of Robots—that will premiere at the Sundance Film Festival this week. The trailer is above, and it’s directed by Matt Lenski who describes it as such:

In the Spring of 2011, after years of hiring him to build miniature sets for my films I asked Mike Sullivan for his help on an art project – A doll-sized protest kit. During the process I got a peek into his world and discovered that it was anything but miniature.

What I found was a man dedicated, overwhelmed, slightly lost and happy to share it with honesty and a little humor. I also found thousands of Robots with wieners. This is a character exploration, a documentary, a Henry Darger-esque allegory set in one studio apartment on 27th street in New York City.

Sullivan has been profiled on multiple occasions in the past. Click after the jump for more videos about his animation work, with plenty of NSFW clips from his work-in-progress film.
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