Pixar has announced their latest short film, “Lava,” directed by James Ford Murphy, a studio veteran who has animated on the company’s films since “A Bug’s Life.”
Pixar’s “Finding Nemo” told of a touching bond between a clownfish father and son. But according to this fascinating excerpt from Stephen R. Palumbi and Anthony R. Palumbi’s new book “The Extreme Life of the Sea”, “Finding Nemo” director Andrew Stanton bypassed the most intriguing trait of clownfish, which is that they can change their sex. Had Pixar stayed true to clownfish biology, they would have ended up with a quite different story.
This is a rare demo of Pixar’s proprietary animation system called Presto. The program was written originally for “Brave” and is being used on all of the studio’s upcoming films. It offers animators a deep level of control within a real-time, interactive environment.
It’s official: Pixar is developing an ‘Incredibles 2.’
Todd Vaziri, a compositing supervisor at ILM, has written an enlightening piece about the subtle use of the dolly zoom in a shot during Pixar’s “Ratatouille.”
Last month a Japanese TV crew traveled to Pixar where director Isao Takahata was treating the studio’s artists to a screening of his new Studio Ghibli film “The Story of Princess Kaguya.”
Last summer at SIGGRAPH, Pixar presented a paper offering some clues about one of the major new directions that CG feature animation is headed. The paper, “Stylizing Animation By Example,” explored how filmmakers could achieve more expressive rendering styles that disregard the perfect boundaries of computer graphics rendering and mimic traditional painting techniques.
Dan Scanlon, the director of Pixar’s “Monsters University,” tweeted the perfect response to not being nominated for an Oscar.
A tweet last night by Pixar director Mark Walsh announced that one of the company’s earliest employees, Loren Carpenter, retired on Friday.
Taking part in a “Wall Street Journal” survey, Pixar and Disney Animation president Ed Catmull shared his two favorite books of 2013.