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From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
“I don’t approach production design from the standpoint of style; I approach it from the standpoint of character,” says “Spider-Man: Into the Spider-Verse” production designer Justin K. Thompson.
Weta Digital animation supervisor Dennis Yoo explains how they managed to make enormous cities move on wheels for the film.
An extensive conversation with “Spider-Man: Into the Spider-Verse” director Bob Persichetti.
Why Imageworks had to ‘break’ their animation and VFX pipeline to make “Spider-Man: Into The Spider-Verse.”
Coming in 2019.
It’s close encounters of the herd kind.
GKIDS will release this unique animated feature in North America next year.
Pixar announces title and key voices for its next original film.
Here are the the Golden Globe nominations for best animated feature.
Get a first look at “Henchmen,” a new Canadian animated feature that puts a twist on the superhero genre.
All the major VFX films that you’d expect are on the Academy Awards shortlist, plus a few surprises.
Two hundred filmmakers worked together on this remarkably weird remake of the 2001 Dreamworks Animation film.
Here are the contending animated features for this year’s European Film Awards, set to be presented on December 15 in Seville, Spain.
The film is still “super early” in development.
“Spider-Man” wins its first honor for best animated feature of the year.
Japanese auteur Mamoru Hosoda sits down with Cartoon Brew for an extensive talk about his latest film “Mirai,” opening this week in the United States.
The buzz is growing on 2018’s most daring big-studio project.
California REALLY wants Warner Bros. to make “Space Jam 2” in its state.
I’ll eat my shoe if this is a live-action film.
Working with a limited budget, Nigerian artist Shofela Coker created a lush series of “breathing paintings” for the hybrid documentary “Liyana.”