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From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
The animators and vfx artists delivered great work as usual, but the rest of Disney’s “The Nutcracker and the Four Realms” doesn’t live up, according to the film’s reviews.
With this week’s sales at the American Film Market, “Lino 3D” has now been sold to over 50 international territories.
VR projects are getting a place in the festival’s competition line-up, and a second competitive section for features is opening up.
Will Smith is a pigeon in Blue Sky’s latest film.
“The Snow Queen: Mirrorlands,” the fourth installment in the popular Russian animation franchise, is due to open in Russian theaters on January 1, 2019.
In addition to “Funan,” the Spanish film “Buñuel in the Labyrinth of the Turtles” was also recognized with a special jury prize.
A handful of animated features are already considered frontrunners, while a large number of underdogs aspire to defy the odds and snag a nomination.
The trailer sets up what promises to be an emotional finale for the series.
The new “Spongebob” movie is upping the cute factor.
If you thought 2018 was a big year for animated features, just wait until 2019.
The Oscar-winning director will make his animated feature directorial debut with the streaming service.
One of the best comic-to-cg animation translations, but will it get a U.S. release?
Warner Animation Group is currently developing no less than seven fully-animated or hybrid features based on classic cartoon characters.
Two of the hardest things to produce in visual effects animation are snow and fur – two of the main elements required for “Smallfoot.”
“Crazy Rich Asians” screenwriter Adele Lim is writing the script.
Who’s in and who’s out – here’s a look at the field of contenders for the visual effects Academy Award.
An experimental Chilean horror fairy tale based on a real-life child-abusing Nazi cult leader barely begins to describe “La Casa Lobo.”
A lot of people in Hollywood can’t wait to work with John Lasseter.
Venom’s many forms and many states meant vfx artists had a lot of problems to solve.
Universal Pictures has moved up the release date of the film.