Interview: ‘Pachamama’ Director Juan Antín On How Stop-Motion Gave His CG Feature Its Unique Look
Antín harnessed pre-Columbian iconography as the basis for the film’s character and production design.
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
Antín harnessed pre-Columbian iconography as the basis for the film’s character and production design.
Months after Disney axed Fox’s cg fantasy epic, its director and a concept artist have revealed how the film was shaping up.
The filmmaker has reportedly been hired to “crack” the reboot of the comic strip classic.
It’s one of four upcoming animated and hybrid features being developed as part of a partnership between Imagine Entertainment and Animal Logic.
Despite a bumpy production history, Pixar has delivered a crowd-pleaser with the fourth installment of “Toy Story.”
Dean is a story artist on the “Lego” animated features.
“Trolls World Tour” will be released in U.S. theaters on April 17, 2020.
It will be the second original feature that Pixar releases next year.
“The Amazing Maurice” will be the first animated feature film ever made from a Terry Pratchett novel.
Paramount Animation is aiming to boost its output to two animated features a year starting in 2020.
The film screened last week in the Contrechamp Feature Film competition of the Annecy festival.
“Funan” opens today in Los Angeles.
Genndy Tartakovsky features and a new “Boondocks” series are part of Sony’s new alternative animation division.
The film is premiering this week at Annecy.
A webcomic creator has gotten a feature animation development deal at Illumination.
The Chinese film grossed $67 million during its China run.
Despite critical scorn, “The Secret Life of Pets 2” could launch in first place at the box office.
Gints Zilbalodis’ unconventional animated feature is screening in competition at both Zagreb Animafest and Annecy.
“The Amazing Spider-Man” director Marc Webb is the studio’s top choice to direct the film.
“The Lion King” is a big technical leap forward for the art of animation. Innovation in the art form deserves to be celebrated, not belittled and hidden from the public.